First point of business today is this superb all-dayer fundraiser at the Chapter Arts Centre in Cardiff being put together by the redoubtable Ian ‘Uh Oh’ Watson, fine artist, sculptor, noise-maker and humanitarian. The event is raising funds and awareness of the plight of refugees, with particular emphasis on the current situation in Calais. Hope to see as many of you as possible there to enjoy this rather super line-up, all for a worthy and most important cause. Donations and gifts of unwanted clothing in good condition will also be gratefully accepted at the event:
— Ian Watson (@uhohwatson) May 18, 2016
And yes, I am only too aware that the above tweet sits to one side of the page and makes the website look untidy. You couldn’t possibly have more OCD impulses currently being triggered over this than I have. But what’s much more important right now is that you absorb the information in contains and turn up on the day with lots of items of clothing (and perhaps some cash) so that the good folk of Newport2Calais can put them to the best use possible. It’s also Howlround’s first trip to Wales, which is quite exciting. What’s not to like? See you there!
Speaking of Howlround, thanks to everyone who came down to Bad Timing’s sold-out event The Other Side: An Audiophonic Séance last week for giving me and the tape machines such a warm welcome. A tip of the hat must go to fellow performers Evie Salmon and James Riley, English Heretic’s ‘Documents’ project and especially Bad Timing mainstay Jo Brooks, who did quite spectacular things throughout the evening with a handful of old cassette and CD walkmans (walkmen?) and a contact mic. Thanks must also go to @StrayTaoist for taking the above rather spiffy photo of the performance. Even on four hours sleep and with a stubborn cold, I really do seem to just smoulder in black and white, don’t I? What a pity life has to be so colourful the rest of the time. Which brings us semi-neatly to…
By strange coincidence, at roughly the same time as I was snottily dragging a suitcase full of tape machines off the Cambridge train, my latest piece for BBC Radio 4 regarding the previous week’s Great Gatsby-inspired evening at Senate House was being given an airing on PM. Having a report on this flagship of current affairs is always a significant event for me, as it’s the one time there’s even the remotest likelihood that any of my work will reach Mother in her kitchen and win me some much-needed parental approval points. Though I think she prefers Radio 2 nowadays, for some reason…
The purpose of this most glamorous event, as hostess Sarah Churchill breathlessly explains, is not only to pay tribute to this classic novel of prohibition-era New York, but also to debunk a few famous myths and give us a better idea of the kind of world Scott Fitzgerald was addressing when he wrote it; thus helping us to view the story in new and often dramatically different ways. To receive the full effect one required authentic period food, costume, ‘historical perfumes’, newsreel footage, appropriate music (not the Charleston!) and the nagging feeling of being decidedly under-dressed, despite wearing that one button-down shirt kept for job interviews and funerals. It is true that such glamourous shindigs are not usually my stomping ground, but my editor seemed to feel that such an evocative event might benefit from a little Radiophonic treatment – plus I still haven’t paid off my last tape machine repair bill, so it’s a welcome cash-injection. It’s equally true that something of a complete tonal gear-change is required when moving from the ragtime, evening gowns and bathtub gin of London to the more honest Cambridge fare of tape loops, coleslaw sandwiches and a bottle of lucozade. Nonetheless, temporarily-speaking these two very different ships did more-or-less pass in the night and I like to think I managed to avoid sinking either of them. Have a listen and hopefully you’ll agree.
And finally this week, with yet another tonal gear-shift, it’s time to present the latest edition of Resonance FM’s Near Mint show, where Hannah Brown and myself look back on 2016 so far and pull out some of our favourite releases. It’s a brisk and breezy selection and by the time you get to the penultimate contribution by Brood Ma, you may well find yourself grinding your teeth along in sympathy. I would even have described the show as ‘banging’ if Hannah hadn’t spent six whole minutes telling me off for trying to do so. Apparently such a word is not to be bandied about by a gentleman of my cultural cache, time of life or income-bracket. It’s a real minefield out there, isn’t it?
Apart from the exceptionally high quality of each of the tracks featured here, there will be no major surprises if you’ve been regularly visiting these pages over the last few months, with the one possible exception of the rather enigmatic Freeholm Wilson; who seems to have rather sprung up from nowhere all of a sudden. Superb debut album Children Of June is currently only available digitally, but I do happen to have got my tacky paws on an advance copy of the clear vinyl edition and hopefully you’ll be able to as well before too long.
Very excited to announce that our guest on Resonance FM’s Near Mint show this week is the one and only Mr. Luke Vibert. Otherwise known as Wagon Christ, Plug, Kerrier District, Amen Andrews and a whole bevy of other pseudonyms, Luke hails from Cornwall and was originally part of the county’s fabled 90s electronica scene alongside long-time friend Richard D. James and members of the legendary Rephlex Records. Releasing numerous albums on that label as well as Warp, Ninja Tune and Planet Mu to name but a few, his discography is as long as both my arms and includes house, disco, acid, jungle, hip hop and all kinds of joyously leftfield squiggly stuff in-between – and I do personally think ‘squiggly’ is the best way to describe his multifarious output.
His reputation as a DJ and crate digger precedes him as well, so when we got in touch and asked him to pull only the weirdest records out of his magic box, we knew we’d be in for a treat. And so it’s proves: A Gala Performance, a Karate Robot, an ultra-rare and complete bats**t-crazy outtake from the Jungle Brothers, a visit to Borstal, an equally bats**t outburst from the Stardust Cowboy and the never-more-haunting theme from Picture Box to round things off – by pure coincidence it’s second appearance here in the last few weeks. A loose theme for the show might be ‘records that probably shouldn’t have been made – but thankfully were’. Anyway, it’s a joy and a privilege not only to have Mr. Vibert on the show but to use this as an excuse to share the above vintage photo nicked from one of his Discogs pages, of which there is surely nothing more to be said. By his own admission Luke doesn’t really do social media, so I’m hoping it will be up here quite some time before he notices and demands I remove it. Must say that it’s certainly convinced me to include at least one owl in the next Howlround photoshoot…
Speaking of Howlround, I’m playing a solo tape loop set at Bad Timing’s ‘The Other Side – An Audio Séance’ in Cambridge tonight, but I’m reliably informed the gig is sold out and the tickets are waiting-list only, so there’s not much point in my trying to convince you to come along. Really looking forward to it, however, as it also includes performances from English Heretic’s Documents project and Evie Salmon and James Riley performing ‘Dust’ (plus DJs and hopefully cold beverages).
I’m keeping today’s post relatively brief as I still have to dub off some fresh loops for my set and go do my heroic Buster Keaton routine juggling a heavy suitcase full of gear against a desperately ticking clock and a rush-hour train. Plus I’m still getting over this rather nasty cold that laid me up for the best part of last week and has resulted in my ‘to-do-eventually’ list swelling to monstrous size. With Howlround shows in Cambridge today and Cardiff in a couple of weeks plus a number of radio packages that require my golden touch (I currently have three in the works and one in the wings), it’s going to be snotty-nose-to-the-grindstone for the next few weeks, which I’m hoping will at least clear out my sinuses. Allow me to close for now by tying things up neatly with my all-time favourite Luke Vibert track that salutes another great town not too far from Cambridge, 2001’s ‘Kings Lyn’ from the Ataride EP on Ninja Tune. For some reason nobody ever seems to mention this track when discussing his work, but I think it’s one of the most delightful pieces of modern electronic dance music made by Luke or anyone else. Having dated far better than much of his contemporaries output by sounding oddly timeless, I do love how the different elements of the track seem to whirl around each other and how the chopped amen break flips and contorts but never loses the funk. Completely squiggly – am I right?!
I promised you ‘Wildkatze’ last week, didn’t I? Well, prepare to receive them in abundance as Resonance FM‘s Near Mint show takes a second trip round the record box of genius composer, sound designer, performance artist and roboticist Sarah Angliss. Recorded in the studio of her flat in a very rainy Borough while husband Colin made us pasta, it’s another superb selection that moves from Schlager to Dietrich to prepared piano to Iggy without breaking a sweat, all mixed together with her contagiously effusive commentary. If you can think of a better way to pass half an hour, do please fill us all in.
In other news, please enjoy my latest BBC report on the subject of The Arkestra, the community of musicians that surrounded the legendary Afro-Futurist band-leader and interstellar ambassador Sun Ra, and continue to spread his message to this day; with 91 year-old director Marshall Allen still leading from the front.
‘The music world is full of larger-than-life characters, but surely few more extraordinary than the late Sun Ra, an African American bandleader who claimed he was visiting Earth from Saturn, leaving a trail of [incredible] music in his wake. His band, known as The Arkestra, is still touring the world, with 91-year-old director and leading man, Marshall Allen, very much at the helm. Robin [The Fog] spoke to Sun Ra expert and BBC 6 Music DJ, Gilles Peterson, about why, 23 years after the its leader passed on, the music and legacy of the Sun Ra Arkestra is perhaps more relevant than ever…’
In this report, originally aired on Radio 4’s The World Tonight and later repeated on The World Service, BBC 6Music DJ Gilles Peterson a Sun Ra curator, scholar and archivist (amongst many other goodly activities) tells us more about the great man’s work over some extracts from the excellent Strut Records compilation that he put together last year. There’s also some actuality I recorded at the band’s recent sell-out show at London’s Union chapel, captured in spite of a large man with an earpiece who demanded to know what I’d done with the recording permit they’d failed to provide me with, and the chap in front of me who seemed convinced that the whole enterprise was merely an elaborate ruse to cover my trying to record his conversation. With the best will in the world this was unlikely – he was sitting alone.
I must thank Gilles for a fascinating interview, conducted as it was in the august surroundings of the Brownswood Recordings stock-cupboard, and his team Dave O’Donnell and Simon Goffe for their assistance in making it happen. Isn’t it wonderful that we get to talk about Sun Ra on Radio 4? Meanwhile, The Arkestra are currently on tour in Europe and sounding as remarkable as ever, while Peterson-curated compilation To Those Of Earth And Other Worlds is out now. Featuring a number of previously unreleased or horrifically rare recordings from his own archive, it’s well worth a dig.
Speaking of exciting new releases, A Year In The Country’s The Quietened Village is finally out now and features an exclusive Howlround track as well as new works from Time Attendant, Polypores, The Rowan Amber Mill and lots more besides. As well as being available from A Year In The Country’s website, it’s also secured a release through the legendary online emporium that is Norman Records and a coveted slot in the Ghost Box‘s Guest Shop! Another beautifully hand-made and fabulously limited package that is set to disappear quick-sharpish. Swiftly investing in a copy would be highly recommended.
In other Howlround news, thanks to everyone who came down to the three-day Open Jack Weekender at New River Studios in Manor House last weekend, it was great to see so many friends and take in performances by Sculpture, Raxil 4, Guncleaner and Tom Mudd amongst others. Extra special thanks must go Thomas Blackburn for asking us to play and being the dynamic force behind the whole event (‘never again!’ he panted over his shoulder – but I’m quite sure he’ll change his mind) and to Lisa Hack for this shot of me looking confused yet oddly poised and confident. If I didn’t already have a couple of biographers, she’d certainly be in line for the job. And all this to end an exciting week when the Howlround studio took delivery of the latest addition to the family, an enormous old Studer which I predict will be a credit to the team, once we’ve ironed out a couple of slightly worrying tendencies:
Playing around with malfunctioning new tape machine seems to have opened a portal to another dimension: pic.twitter.com/nwIv9M3mq2
— Robin The Fog (@RobinTheFog) April 21, 2016
To conclude on a similar moderately sinister note, please accept this rather poorly-taken photo (no tripod or decent light-source to hand at the time of writing) of a Structures Sonores Lasry-Baschet LP on the Patchwork Library that has recently found its way into the Foggy crate. In all honesty this has nothing to do with any of the above and I have no particular reason for sharing it with you, other than to say it’s well-worth getting hold of a copy if you can find one and that the Pattern house sleeve (each release sharing this uniform design but in a series of different colours) is a thing of beauty. And most of all just to put the wind up my Near Mint co-host Hannah Brown, who is reportedly green with envy that I got hold of it before she did. How long can it be before our friendly rivalry spills over into bloodshed? Surely the time is nigh…
To those requiring further clarification, Lasry-Baschet and their collection of deeply unconventional instruments (perhaps we could refer to them collectively as the ‘Lasry-Baschet Cachet’) were a French group based around the brothers François and Bernard Baschet together with Jacques and Yvonne Lasry.
Recording and performing with their unique collection of remarkable home-made devices and active mostly between the 1950s and 70s, the group are perhaps best known in the UK for having one of their pieces, ‘Manège’, soundtrack the opening sequence to the long-running ITV Schools programme ‘Picture Box’, it’s combination of slightly sinister fairground tones mixed with blurry footage of a slowly rotating jewelled casket instantly recognisable to anyone who spent time growing up in the 1970s and 80s. There is a distinct chance that many regular readers of these pages will already be nodding along to this and saying ‘yes, yes, everyone knows already?’, but I thought I’d use the opportunity to re-visit this remarkable ‘extended version’ of the Picture Box opening titles just in case you haven’t seen it before. It’s well worth a look, partly because it’s very, very cleverly executed and because it takes the original video’s aforementioned slightly sinister overtones and blows them clean out of the water. But mostly because I’m reliably informed it made Jonny Trunk almost wet himself:
This week’s Near Mint show on Resonance FM is the first of a two-part special delving deep into the record collection of singer, multi-instrumentalist, sound designer, robot-builder and puppet enthusiast Sarah Angliss. She took some time out from her busy schedule of recording and composing to give us a tour round the contents of her record box and the result is an effortless journey from bird song to Messiaen to punk rock to schlager-pop. Anyone familiar with Sarah’s work will already have figured out how she joins the dots between all of these things, while the rest of you are strongly advised to visit SarahAngliss.com and have a gander. Our finest show yet? Quite possibly – until next week when we let loose the ‘Wildkatze’!
But there’s quite a bit to get through before then, as the coming few days are shaping up to be unusually full of social engagements, partly because I’m coming to the end of my latest recording project and thought it might be time to get out of the studio and enjoy some fresh air. Firstly, I’m heading to the latest Club Integral event at The Others in London’s Stoke Newington this Friday 22nd April, where I’ll be spinning some discs in-between performances from Brunk, Tristan Burfield, King & Cornetto and Ntchuks Bonga). Further details can be found here. Club Integral events are always fantastic, Tristan Burfield is an old acquaintance and my record collection is of course the stuff of legend; so I’m very much looking forward to it!
The following evening, Saturday 23rd, Howlround will be taking part in the Open Jack Weekender Festival at New River Studios, Manor House. Three whole days of glorious sounds from the cream of London’s noise-makers at this excellent new venue that’s rapidly acquiring an impressive reputation. We’re playing on Saturday evening and I’ve just discovered that our quartet of increasingly cranky and unpredictable reel-to-reels will be gracing the stage directly after the eye-popping, brain-fizzing audio-visual delight of a live set from Sculpture – so no pressure there, then!? Details of the full festival line-up can be found here. Out-of-town friends might also like to know Howlround are playing The Other Side: An Audiophonic Séance in Cambridge on 12th May, and Cardiff on May 28th. Further details will follow in due course.
Speaking of Sculpture, their latest release Zyprazol is now on-sale and, entirely predictably, it’s a thing of wonder – another 7″ zoetrope picture-disc containing two tracks of tape hiss, drum machine clatter and electronic blatt and squelch. It looks and sounds unsurprisingly amazing:
The thing I love about this duo is that their sounds and images always compliment one-another perfectly, more so than any other audio-visual project I’ve ever witnessed. Incorporating a unique combination of vintage techniques and technology, adapted and modulated for the 21st century, the blips and splats of the sounds perfectly compliment the giddy psychedelic tumble of the visuals – and both are manipulated live on-stage! It’s brain-candy of the highest order, which should further help to clarify, why I am nervous about having to perform after them on Saturday night! Check out this promo video and you’ll surely sympathise:
Anyway, you’re advised to get your order for the 7″ in quickly as the last one sold out very fast indeed and then proceeded to go for ‘Bugs Bunny Money’ on Discogs (damn those flippers!). Make sure you also bag yourself a copy of the new Brood Ma LP Daze on Tri-angle Records, another set of dark, digital delights from the mastermind at the heart of the Quantum Natives collective. Highly praised in The Wire, even deeper, colder and harder than last year’s POPULOUS and already shaping up to be one of my records of the year. Can’t recommend it enough!
On a slightly less abrasive note, check out is this latest ambient mix from Pernille Krogmog, one of my friends from Copenhagen’s Strøm collective; recorded at one of the regular God Goes Deep events at Vor Frue Kirke or The National Cathedral of Copenhagen. Contains Aphex, Noto, Eno and even something from the Howlround archive that some of you might remember. I’ve been using it as background music for my quiet moments of contemplation over the last few days, though as it’s been quite a busy week, I’ve struggled to make time for the full hour. Would have just loved to have heard these sounds echoing around the insides of the National Cathedral – perhaps some other time, Pernille?
And finally, on a completely different and thoroughly abrasive note, do you remember a light-hearted article I published three years ago on the subject of ‘The Illuminati’ and the apparent campaign to suppress their activities that was being single-handedly waged by ‘Hard-Dance’ DJ from Wisbech? No? Well, neither did I until last Sunday morning. It was hardly award-winning journalism and not terribly serious in nature. In fact I’d completely forgotten ever writing it until, appropos of nothing, I received the following message:
“Remove that page or I going to cops as it’s slander and has efcted my life and bookings so you got 2dsys if from this messages if not I will speak to the cops” [sic]
Those of you with better memories may recall that the man in question, a certain Mr. Basshammer, had originally expressed some concern back in 2013 that the article cast a less-than-favourable slant on his life’s work. But once we’d chatted (amicably enough) via Facebook, he seemed placated, particularly once I ‘d pointed out that a) there really is no such thing as bad publicity and b) it’s very hard to imagine a scenario in which comparing one’s artwork to a 17th Century Bavarian philosopher’s head exploding could be considered in any way character assassination. I had certainly assumed the matter closed and carried on in blissful ignorance right up until the moment three days ago when the above suddenly popped into my inbox over the breakfast table. It seems that Basshammer had suddenly re-decided that this obscure blog post that everyone else had forgotten about is having a detrimental impact on his life and was now planning to summon ‘The Feds’. I must say that for a man who releases mixtapes peppered with references to ‘sucking’ this and ‘f**king’ that, he gets offended REALLY easily.
On the plus side it was very decent of him to have allowed me to keep the article online for a further two days, as this gave me the opportunity to share it one last time with my Facebook followers, imploring them all to fill their boots and enjoy it all over again while there was still time. Indeed, as news of the scandal broke and more people picked up on the story, my website experienced it’s busiest day for months! In fact, it’s enjoyed more hits over the last 72 hours than Basshammer’s Soundcloud page appears to have received in the past three years. On the less positive side, I was sloppy enough to miss his imposed deadline and I’m now writing this from under my desk while waiting for the flying squad to bash the door down. Tell Mother I regret nothing…
Following our recent adventures into the outer reaches of the exorbitant jungle, we bring you something of a sea-change on this week’s Near Mint show on Resonance 104.4FM; as we’re joined by special guest, writer and spoken word artist Dolly Dolly. As well as being the narrator and spirit guide for the recent Delaware Road album and launch party and releasing a handful of jolly fine writings and recordings of his own; he’s also something of an expert on the poetry of The Beat Generation, the jazz-influenced literary movement that found it’s spiritual home in San Francisco’s City Lights book store (still very much flourishing) and included Allen Ginsberg and Jack Kerouac among it’s alumni. For this week’s show we asked him to pull out some of his favourite Beat recordings and line them up for inspection and the result is a broad and intriguing selection including some of the movement’s lesser known figures alongside its more bankable names. Listen closely and then go and check out some of Dolly Dolly’s own recordings, which are clearly a contemporary and very British riposte to the Beats: His debut album Antimacassar is a good place to start, but you’ll find his work pops up everywhere – including last year’s collaboration with Band Of Holy Joy’s Johny Brown and myself under the name The Trunchbulls for the XPYLON charity album. Almost forgot about that one in the white heat of a busy 2015…
Staying in radio-land, please enjoy my latest BBC report, on the subject of Sound Baths, a form of new-age therapy in which gongs, bowls, bells and the like are used to send participants into a state of deep meditative relaxation – and supposedly can even help to cure physical ailments, the different sound frequencies said to stimulate different parts of the body and bring them into harmony. Whatever your opinion on this (and you all seem to have one!), it’s certainly a fascinating experience that I’ve been rather intrigued by ever since my visit last year to the Integratron, a geodesic dome in the heart of California’s Mojave Desert which plays host to visitors seeking sonic enlightenment from all over the world. Now highly recommended by the so-called ‘wellness movement’ which seems to be very much in vogue at the moment, I thought it might make an interesting subject for the World Service after a prominent LA lifestyle blog announced that Sound Baths are the next big thing for 2016. Thankfully my editor agreed and hopefully so will you. Sound baths have been popping up all over the world for years, of course, and many about as far away from the Mojave Desert as possible; even as unlikely a location as a cold, wet side-street hidden behind London’s Waterloo Station. Here a gentle soul called Otto Haddad runs his own sound baths several evenings a week. Perhaps predictably I’m forced to admit I spent much of the session I attended thinking ‘Wow! I wonder how he’s making that noise?!’, which may well have been counter-productive; but nevertheless it was a unique experience that I would certainly recommend. Why not visit Otto’s website and book yourself a session? It’s amazing how quickly the rest of the world melts away, even in Waterloo!
Howlround news now, and I’m excited to announce our participation in a new release by A Year In The Country, the blog and record label dedicated to exploring the freakier fringes, twisted folklore and haunted bucolica of the British Countryside.
The Quietened Village is a study of and reflection on the lost, disappeared and once were homes and hamlets that have wandered off the maps or that have become shells of their former lives and times. Inspired in part by images of sections of abandoned, submerged villages and the spires of their places of worship re-appearing from the surfaces of reservoirs and lakes, alongside thoughts of dwellings that have succumbed to the natural erosion of the coastline and have slowly tumbled into the sea. Some of the once were and lost villages which were seedlings for this body of work still stand but their populations are no more, those who lived there evicted at short notice and never to return so that their homes and hearths could be used as training grounds for those who would fight during great conflicts between nations. Such points of reference have been intertwined with possibly more bodeful reasons for this stilling and ending; thoughts of Midwich Cuckoos-esque fictions or dystopic tales told and transmitted in times gone by and imagined/re-imagined in amongst the strands of The Quietened Village.
The first in a planned series of compilations, The Quietened Village features an exclusive track from ourselves as well as The Straw Bear Band, Polypores, The Soulless Party, The Rowan Amber Mill, Cosmic Neighbourhood, Sproatly Smith, David Colohan and Richard Moult, our old friend Time Attendant and A Year In The Country (aka label head Stephen Price) himself. Once again it’s the decidedly spooky and surprisingly cohesive listen we’ve come to expect from the label and the little community of artists that are growing around it and like-minded labels such as Buried Treasure et al. Order your copy here. True to the nature of the compilation, our contribution ‘Flying Over A Glassed Wedge’ was recorded in a genuine ghost town (albeit one with that retains a working Post Office), though I was initially worried about it’s location in the middle of the Mojave Desert (it’s second appearance this week – but it is pretty big) being some considerable distance, both literally and metaphorically from Midwich and the ghosts of Albion. However, the theme of a previously bustling town being suddenly annexed overnight and gradually returning to the dust fits the bill pretty solidly, so hopefully there won’t be too many complaints. I shall reveal the name of this special town if you haven’t already guessed it at some point in the future – there’s talk of further material seeing the light of the day sometime later this year. For now my lips are sealed…
I can, however, offer a tantalising glimpse of the next full-length Howlround album, which will be an audio-visual collaboration with film-maker Steven McInerney and released on his label Psyché Tropes. These pictures are from a test screening of the film complete with a brand new soundtrack that occurred as part of SOPOROSE, an all-night sound and sleep research event that Psyché Tropes were involved in in last month at St Ethelburga’s Centre for Reconciliation and Peace, a tiny 15th Century church/community centre nestling between the brash glass and steel towers of London’s frantic Bishopsgate and a surprising oasis of calm in a city increasingly not built for the likes of you and me. I was lucky enough to attend and can confirm that it’s looking and sounding fantastic. Quite possibly the best thing I’ve ever been involved in. Currently in the final stages of shooting and further details will follow….
And lastly for this week, please enjoy the latest in the series of Art Assembly‘s documentaries for Resonance FM. Presented, curated and masterminded by regular host Julia Dempsey and mixed and edited to within an inch of its life by yours truly, this month’s programme investigates a thematic thread running through the practice of four artists from the city of Sheffield: Chris Watson, Oberman Knocks, Adi Newton (Clock DVA, T.A.G.C.) and the brilliant Aino Tytti, whose Millennium Mills last year on Touch was one of my very favourite releases of 2015. Beautifully mixed and realised (though I say so myself) and full to bursting with fascinating and important work, this might be Art Assembly’s best programme yet!
2016 is pretty white hot as well, so far, isn’t it?
On this week’s Near Mint show on Resonance FM, Hannah Brown and I continue our search for treasure in the ridiculously overpriced Jungle. On last week’s show, as you will recall, we played a mere handful of oldskool hardcore and jungle tracks and ran up a staggering bill of £2097. On this week’s part two you’ll be excited to learn we be push back the boundaries of plausibility even further! Can you guess our grand total without peeking? Would you pay this much for a stack of rare white labels? Would you play them on the radio at tea time on a Tuesday? Would anybody? I was really hoping they would re-schedule this week’s show to run just after Calling All Pensioners, but my appeals fell on freshly deaf ears.
Another dose of Neat Mint next week. For now, if you’ll excuse me, I’m off to re-mortgage my flat. It’s rented, but I doubt the landlady will notice…
Gather round, friends, lots of exciting new stuff to talk about this week. First off the latest Near Mint show on Resonance 104.4FM sees myself and Hannah Brown taking a trip deep into the jungle, where we’re searching for treasure – more specifically, the rarest and most ridiculously over-priced treasure we can find. It’s the first of a two-part special playing the most expensive hardcore and jungle we could… well, I was going to say lay our hands on, but at these prices that would be fraud.
I’ve spoken often on these pages about my great love for oldskool and hardcore jungle music of the 1990s and my quest to fill the odd gaping whole in my otherwise robust collection. But the sky-rocketing second-hand price of some of the rarer 12″s over the last couple of years has really started to hamper my efforts – and I’m not the only one to notice. For example, the record shown above is our opening track, a 1994 single-sided white label by DJ Crystl that’s currently retailing on the Discogs website for £125.22 – and that’s the cheapest record featured on the programme. A legendary producer and a great track – but is it really worth that much? Mind you, it’s probably a little early to start asking that question, I can inform you in the second part next week the silliness levels go right off the chart. Listen closely and savour the experience, you’ll almost certainly never come across these records in the flesh…
In other news, Buried Treasure Recordings commander-in-chief Alan Gubby has been extremely busy of late, producing and uploading a number of videos from last year’s Delaware Road launch party, including this rather spiffy video trailer:
You might remember his appearance as my special guest on Resonance FM’s OST Show last month, where he treated us to some as-yet-unreleased Radiophonic delights. Well, after the success of the launch party and the plethora of extremely complimentary reviews that has followed in the album’s wake, he’s let slip that he has big plans for the future of the project, including a series of further live dates and even a screen-play in development. I will of course keep you informed on all the latest. In the meantime, you can find the Delware Road video playlist in full here. And the label is also poised to release an album by Delaware contributors The Dandelion Set. Only one track from A Thousand Strands 1975-2015 is currently available online, but it’s a collaboration with the legendary Alan Moore and an absolute belter to boot. Have a listen:
Over in Portland, Oregon, my good friends Gray Columns also have an excellent new album to show off. Making good on the anticipation caused by posting a couple of tasty tracks online last year, debut full-length release Cloud of Night is a single track split into four movements and recorded in just two days. Described as ‘masterful, beautiful, and the right kind of unnerving’ by ExperimentalPortland.com, it’s a dense and gorgeous tangle of crepuscular drones, creaks and crackles. Erik and Ben, I salute you. Now when are you going to come over here so we can get that collaboration started?! The kettle is on…
Speaking of talented comrades, very excited to hear new material surfacing from Ordinate. The duo of JP Hartnett and John Flynn (who also records solo under the name Spaces) contributed a track of thick, murky techno to Earwiggle’s excellent Eight Wigglin’ Ways To Die compilation last year and now look set to release their debut 12″ next month. To further whet our appetites they’re produced a session for Mantis Radio On FutureMusic.FM, choc-full of new and unreleased material. Have a listen to the programme, then befriend them on Facebook and Soundcloud, why don’t you? Can’t wait to hear the finished release!
Gosh, what a bumper crop of awesome stuff I’ve unearthed this week. I really am too good to you….