Well, what an adventure I had this week! Huge thanks to the Strøm Festival and to everyone who came down to the sold-out show at Cisternerne on Monday night to witness performances by myself and Logos. It was an honour to play in such an unique space with an incredible natural acoustic, so I made sure I stepped up to the occasion with a set of brand new material and the longest loops I’ve ever made, running for several meters across the space and balanced precariously above the permanently wet and grimy floor. They certainly appeared to impress the crowd:
I realise it is customary at this point for me to include an audio extract from the performance via my Soundcloud Page, but on this occasion I regret to say that I’m unable to do so – the performance was deliberately tailored to play to the Cisternerne’s seventeen second reverb and so a simple ‘output recording’ would be missing half of the experience. I believe that there was some filming and recording taking place, so perhaps that will surface at some point, but for the moment those of you who couldn’t get a ticket will just have to take my word that it was an amazing experience. Plus I’m hoping that I will be allowed to give this historic structure the full ‘album treatment’ some time next year, a proposition that Strøm top-brass appear to be intrigued by, so all is not lost. Until such times, please enjoy these photos by Rasmus Kongsgaard together with some snappy sound-bites derived from running the article they came from through some slightly ropey online translation software:
Although cisterns are worth a visit in itself, it is electronic music of the most radical and uncompromising kind that is in the centre at tonight Power-event.
There is no anywhere other than exactly here that these works may be noticed in this way. There’s nowhere else you can stand underground and fall in spell over a flickering candle while vaulting around you is echoing with issue noise from another world.
Distorted locomotive whistle, deep roar that could evoke an imam fair and elongated, umelodiøse soundscapes instantly puts the listener in a state of alluring scary. For although it is extremely difficult to get hold of the sonic bursts that puts both eardrums and stalactites in swings, and most of all sounds like the soundtrack to a dystopian sci-fi nightmare, it’s impossible not to be drawn into .
The following afternoon I was performing my secondary role at the festival of leading a workshop on field recording and composition using some of the basic principles of musique concréte, as part of Strøm’s summer school programme open to students across Europe and beyond. This took place on a converted dredging ship by the docks, which made for a terrifically fertile environment for our class of 36 enthusiastic students to explore. Before long groups of people were scattered all around this waterside complex, looking for things to rub, hit and scrape. It was incredibly gratifying to observe these discoveries and to have such an attentive class, many of whom seemed to have a natural ear for spotting sounds ripe for manipulation – the small group I was leading found a very tasty drainpipe and nearly gave themselves permanent hearing damage in the process!
The plan had been for each small group to submit their best material to be dubbed onto quarter-inch tape and then for all the recordings to be appraised together as a class and worked into some sort of composition; while outlining some of the techniques that magnetic tape puts at one’s disposal. Unfortunately my quartet of reel-to-reels were feeling rather uncooperative that afternoon – perhaps still sore at spending the preceding evening in what was to all intents and purposes a dungeon – and so refused to put anything at anyone’s disposal what-so-ever. Thankfully I was still able to demonstrate some basic tape loop construction, though the bulk of the composition was demonstrated on my trusty-though-less-interesting laptop – did the job, just wasn’t as much of an immersive experience.
However, feeling that this itch hadn’t quite been scratched, I pulled out their recordings again when I arrived back at my studio last night and knocked the above short piece together. Hopefully it will retrospectively offer the students a clearer idea of the things we were discussing and provide some much-needed closure for me!
Before I forget, extra special thanks must go to Jim Slade (and family!), Pernille Krogmog and Allan Hansen for making it all happen, to co-performer and fellow-junglist Logos and of course to Laura Yawira Scheffer for being a shining beacon – quite literally as it was very hard to de-rig in the pitch darkness of the Cisternerne and her smartphone had a torch. Now I really must have a serious word with those naughty machines Daphne and Delia. I’m certainly not taking them on tour with William Basinski if they’re going to misbehave like this!
Oh, did I mention Howlround were going on tour with William Basinski? I did? Well, expect me to continue harping on about it for a while yet…
Tremendously excited to announce further details of my performance as part of the Strøm Festival in Copenhagen next week. I shall be playing a solo tape-loop set of almost entirely exclusive material, quite possibly including tracks from the forthcoming Howlround LP (which now has a title, a full track-listing and is awaiting the gentle touch of our mastering engineer – but I’m not giving anything else away just yet)! And just LOOK at the venue we’ve been given to play with! This is Copenhagen’s Cisternerne, an underground former reservoir with a seventeen second natural reverb. Seventeen seconds, ladies and gentleman!
I shall also be running a sound recording and composition workshop the following day on a converted dredging boat, so it just goes to show you how skilled the Danes are at turning recycling interesting locations into amazing arts venues! Both have now sold out, but you can learn more about the former here and discover what my biography reads like in Danish here. The mighty Logos is playing on the same evening, so it’s shaping up to be quite an event. Hopefully see you there, if you managed to get a ticket!
It’s #FundRaisingWeek once again at Resonance FM, which means another seven days of special broadcasts, one-off events and lots and lots of highly desirable items up for grabs in this year’s Ebay auction, with all money raised helping to keep the greatest radio station in the world on air for yet another year. And in these straitened times they need your help more than ever. So, what’s up for grabs in 2015? Here’s my own contribution:
‘A Howl-To Guide’: A Day Of Tape-Loop Creation With Robin The Fog
“A glorious morning spent searching for extraordinary noises in ordinary places in the company of sound artist and composer Robin The Fog, followed by an instructive afternoon dubbing those sounds onto magnetic tape and creating and editing wondrous tape loop compositions, with the results to be broadcast on Resonance FM at a later date. Recording and editing equipment, including tape machines and razor blades, will be provided and the lucky winner(s) will be sent home with a tape spool of their handiwork”.
Speaking personally, a day spent doing this sort of thing is my idea of heaven, and I’m hoping lots of you will agree at least enough to make a decent bid. Further details (including an important disclaimer against razor-related loss of thumbs or other injuries) plus innumerable other delightful items available at the Special Resonance FM Fundraising website here. But the vast majority of you who require no more persuading to support this worthiest of causes can simply whizz straight over to the item’s Ebay page and BID NOW!
— Robin The Fog (@RobinTheFog) February 9, 2015
Please make the bids nice and high, because 100% of the money raised goes straight to Resonance, and of course because playing with tape is tremendous fun and I’m reliably informed that I’m reasonably affable company. If this workshop ends up being even half as profitable as last year’s ‘Howlround Haunts Your Home’ project, the lucky winner is in for a very enjoyable experience indeed:
Another item currently up for grabs is an old favourite – ‘Play OST For Me‘, in which the highest bidder wins the chance to present their very own bespoke edition of The OST Show, with all their favourite soundtracks and every whim indulged by that redoubtable broadcaster, smutty raconteur and general man of letters Jonny Trunk, who has promised to be on his very best behaviour for the occasion. This item always proves surprisingly popular, so GET BIDDING QUICKLY! I shall be popping up on this Saturday’s show to promote both this and the aforementioned tape editing workshop, plus we’re also expecting a visit from the brilliant Pete ‘Monsterism’ Fowler; who has very kindly donated this completely awesome original work to the cause:
My sources tell me there may also be a four-year-old guest on the show, but he is purely there for entertainment value and most certainly NOT up for auction. More details on all of this as we get them and I might even be able to shoe-horn in some new tape music by Howlround that’s currently in production. Unless Jonny pulls that face again. You know the one: