Resonance Fundraising Week 2016 – Rare Vinyl Up For Grabs And Much More!

Yep, it that’s time of the year once again where the world’s greatest radio station asks its listeners and supporters to dip hands into pockets and donate towards keeping them on air for another year. But it’s by no means a one-way street as there’s a whole pile of special broadcasts taking place all this week and an online auction with plenty of fantastic objects, artifacts and experiences you can win in exchange for your cash: Record bags, festival tickets, a psychedelic tour of London in a Rolls Royce – the full list can be found on the bespoke Resonance Fundraising website here. I’m currently bidding on brunch for two at the Oxo Tower. There are a couple of Howlround items up for grabs as well:

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First off, the final remaining copy of the Torridon Gate LP, number 100/100, hand-numbered and stamped, screen-printed cover by Hannah Brown and printed translucent sleevenotes. A one-off pressing of 100 copies only, the entire stock sold out in a single afternoon back in April 2015, but we’ve been holding this one back especially. Click on the above image to bid!

Howlround - Tales From The Black Tangle LP - FRONT-LO-RES

Secondly, an even-rarer test pressing of latest album Tales From The Black Tangle. Hand-written label, numbered 2/6, in full-colour LP sleeve. This album is also now completely out-of-print and despite lots of harrumphing from the populace in general, there will be no re-presses. Sorry, all, but a promise is a promise! This is your last chance to own a slice of Howlround history! Click on the above image to bid!

Digging Deep Poster - DJ Food

Next up, and forgive me for banging on about this again, but I really am super-excited about this coming Friday (19th), when we’ll be rocking the Book and Record Bar in West Norwood, with all proceeds going to the fundraiser. Lucky Cat Zoe, Hannah Brown, Michael the Landlord and myself along with very special guest DJ Food will be manning the decks from 8pm and there’s a raffle with fabulous prizes and a bar (please don’t spill any on the vinyl). Rumours that DJ Food will be giving away a large chunk of the records he plays remain unconfirmed, but persistent. Part two of his guest appearance on mine and Hannah’s new Resonance show ‘Near Mint’ is repeated this Friday at 10am, but you can also now listen to both parts on my Mixcloud page here.

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The following afternoon, I shall be heading to the studio to present a marathon fundraising special of The OST Show in regular host Jonny Trunk’s absence. I’ll be joined by Radiophonic expert and Buried Treasure Recordings commander-in-chief Alan Gubby, who in a message probably unintended for publication has assured me he’s cooking up a stew of  everything from “gritty 7″ rock n rollers to groovy radiophonic funk with lots of abstract tape experiments and early synth minimalism in-between – a couple of unreleased [insert names of legendary Radiophonic Workshop figures] bits, plus a competition prize package of Buried Treasure releases including the last vinyl copy of The Vendetta Tapes” – that last being, of course, the vinyl LP of unreleased John Baker cues, released last year and leaving Radiophonicists the world over in a state of complete frenzy. If you missed it the first time around, here’s one final chance to get your hands on a copy. Tune in, 15.30 on Saturday…

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Speaking of Radiophonics and proof if any were needed of just how important Resonance FM is as an alternative broadcaster, have a listen to Rebecca Gaskell’s documentary on Delia Derbyshire Day that was broadcast last week as part of the station’s regular ‘Clear Spot’ feature. You might recall my BBC report on the event from a few weeks ago, but this goes into far more detail than can be achieved in four minutes and really lifts the lid on just what a remarkable composer she was, featuring lesser known extracts from her archive plus extended interviews with festival curator Caro C, archivist Dr. David Butler and musician Mandy Wigby – plus I’m proud to say I had a small consultancy role and sourced some of the music. It’s always nice to be useful!

Saisonscape - Beauty in the Bleak

And lastly, another superb Clear Spot from a couple of weeks ago was ‘Beauty and the Bleak’, produced by Art Assembly’s Julia Dempsey and mixed and edited by myself in a frantic scrabble to meet the Tx deadline – but it was more than worth it! The second of Art Assembly’s in the series of Saisonscape: Decay programmes, this edition features extended interviews with poet and musician Autumn Richardson and sound artist Lauren Bon discussing their work. Their locations and subject matter differ greatly, but their approaches to the subject of decay, isolation and, yes, bleakness, compliment each other beautifully. A real pleasure to work on, this one, event if it was a bit of a narrow squeak to get it finished!

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And lastly, while it doesn’t really have anything to with Resonance, there’s another chance to hear Howlround’s sound installation ‘Mansion House Clocks’ produced for Vespertine York last September, at St. Mary’s in the city’s Castlegate area. From 17th-20th, Vespertine York are kicking off the year by exhibiting some of the bespoke works they’ve commissioned over the past year along with a programme of workshops and other delights. Further details here. That was a jolly fine installation, even if I do say so myself…

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Click Bait: Howlround’s TV Debut, First US Shows & More…

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Very excited to announce Howlround’s TV debut on the BBC’s flagship technology programme Click is now available here for your viewing pleasure (we feature about 10 minutes in). I’m posting all this slightly belatedly as I was out in the wilds of Yucca Valley without internet during it’s first airing and remained in blissful ignorance of such exciting developments for an unprecedented 36 hours. Anyway, please watch and enjoy affable host Spencer Kelly paying a visit to the New Broadcasting House studio featuring the creaking mic stand that has given Howlround so much raw material to play with over the past year; then heading to our own studio where we introduced him to the machines and allowed him free reign of the mixing desk. I think he rather enjoyed it!

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As if all this wasn’t exciting enough, the track we created during the team’s visit is now available from Soundcloud as a complimentary download, so feel free to make a few Clicks of your own in this direction:

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The feature also included footage from last year’s set for 4’33” Cafe at The Base Elements Gallery in the gothic quarter of Barcelona, so I thought you might appreciate another airing of the original video with a nod and a wink once again to our friends JP and Ale!

In other news, finally back from a whirlwind couple of weeks in the US, playing Howlround’s first American shows, doing a spot of record digging and having our minds expanded with a ‘Sound Bath’ at The Integraton, a truly remarkable domed structure out in the wilds of Yucca Valley – and the only venue I’ve ever visited that was financed by Howard Hughes and built under the guidance of alien intelligence. The day concluded with some late-night desert recording with my old friend Guy J. Jackson in freezing conditions under a full moon in the back of an abandoned tour-bus, though thankfully free of extra-terrestrial intervention. More on that at some point later…

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Huge thanks must go once again to Erik and Ben of the excellent Gray Columns, to equally splendid support band Offret and to Andee, Allan and Kirk of aQuarius recOrds, San Francisco for making it all possible. And especial thanks to Guy and Holly, plus my ever-patient and brave travelling companions Gemma Ritson and Kaitlyn Spillane! When can we do this again?

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with Offret (left) and Gray Columns (right)

Curiously, I had no trouble at all getting tape machines Elisabeth and Magdalena through airport security. As one official shrugged – ‘It’s cool, this is Portland’! Which may also help to explain my discovery of this little gem while perusing a local emporium. I can feel a new mixtape coming on already…

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And finally, I must quickly plug the latest instalment of Art Assembly‘s ‘Saisonscape Decay’ radio programmes that was broadcast last week in anticipation of their show at Cafe Oto. Featuring Lisa ‘Sleeps In Oysters’ Busy, Graham Dunning, Kemper Norton and Sarah Angliss discussing their work in conversation with host Julia Dempsey and mixed and edited by myself and partner in tape Chris Weaver. In fairness, he got the lion’s share of the work as I had a plane to catch!

Taking place in autumn, “Decay” reflects on the natural cycle of the season – leaf litter and organic material dropping to the ground and breaking down into one, renewing the soil with a rich and nourishing composition. This programme focuses on artists who use archives of field recordings, folk story and who layer instrumentation, objects and found sound. Sounds, ideas and material mulch into new combinations, providing fertile ground for unexpected work. 

New material is expected imminently from each of the programme’s guests and I’ll try and cover as much of it on these pages as possible, but for now I can confirm that Lisa Busby’s new solo album Fingers In The Gloss is out already and available here on limited CD. There’s also this decidedly eerie promotional video for the single ‘Hollow Blown Egg’ to savour. So many talented friends!

Hollow Blown Egg HD720p from Lisa Busby on Vimeo.


Saisonscape: Decay – Touring With William Basinski And Kepla

Now that the dust has settled, please take a moment to enjoy some sights and sounds from last week’s Saisonscape: Decay tour, where Howlround played a trio of dates across the UK alongside the great sound artist and tape-loop manipulator Mr. William Basinski and recent Quantum Natives signing Kepla. The video and images shown here were from the final night of the tour at The Kazimier in Liverpool, which was perhaps the most visually impressive of the three, with the loops teetering and wobbling upwards from the stage and disappearing over the balcony. It’s a miracle the whole thing held together at all, quite frankly, even with all the scaffolding parts and other heavy metallic items lying about backstage that we borrowed to stop the tape jumping off the spools…

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My enormous gratitude must go to Art Assembly, in particular the amazing Julia Dempsey, as well as Messers Basinski and Kepla for being such affable and entertaining touring companions, not forgetting Victoria Hastings for doing such a fantastic job of documenting the whole thing. More photos to follow, no doubt, but I think it’s this one that makes me the most proud:

Saisonscape Decay Line-up

Must also thank everyone at The Kazimier as well as Cafe Oto in London and Salford’s Islington Mill for their warm welcome. I haven’t had a moment to go through all the recordings yet, but doubtless more audio from these events will surface before long. The response from the crowd each night was hugely encouraging and bodes well for the imminent release of our new album…. but more on that later!

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Forthcoming Decay Plus Throwback Friday: Savamala Revisited

Saisonscape Decay Poster

Excited to announce I’m off to Indonesia for a week hunting for new sounds to incorporate in some future work, and am looking forward to some adventures in the land of gamelan and birdsong! This means I will be largely out of contact for the next week and unable to respond to the usual deluge of listeners’ letters, fan mail and demands for cash, so please bear with me. I shall certainly be back in good time for Howlround‘s tour with William Basinski & Kepla – I wouldn’t miss it for anything and the London date at Cafe Oto sold out weeks in advance!

Hopefully all should tick over quite nicely for a week in my absence. Album number FOUR is currently being manufactured and I hope to have a further update soon. But for now, I thought I’d leave you with this extract from the Howlround archives while I’m away, especially as today, Friday 4th September, marks two years since the official launch of our second LP Secret Songs Of Savamala in Belgrade, Serbia:

Spanish House Launch Party Poster

The album launch party, as you may recall, took place within the ruins of  The Spanish House, the former customs building with the highly evocative flooded basement that had inspired its creation . The above film, created by combining the first side of the LP with the beautiful photography of Milica Nikolic Micikitis, was screened that evening to an crowd packed with collaborators, colleagues and friends, sounds and images reverberating off the roofless walls and into the night. It was a very special feeling to be able to return the sounds back to their source, though for some reason I’ve never shared it online until now.

My grateful thanks go once again to Milica, vocalists Mirjana Utvić and Anita Knežić, Leila Peacock, Axel Humpert and the staff of Camenzind Belgrade, NO-FM and the Goethe Institute. Good friends all and I miss them. Hopefully we’ll all work together again before very long. Belgrade certainly isn’t short on items of sonic fascination!

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For further details on that album’s gestation, you can also check out this archive interview with Tiny Mix Tapes from a few months later where I talk about …Savamala and also its predecessor, The Ghosts Of Bush. Thanks once again to Daniel Emmerson for this one!

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Right, that’s quite enough nostalgia to be getting on with, better dash to the airport. Hopefully see you at Cafe Oto on 15th!


Strøm: ‘A Study In Alluring Scary’

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Photos by Rasmus Kongsgaard

Well, what an adventure I had this week! Huge thanks to the Strøm Festival and to everyone who came down to the sold-out show at Cisternerne on Monday night to witness performances by myself and Logos. It was an honour to play in such an unique space with an incredible natural acoustic, so I made sure I stepped up to the occasion with a set of brand new material and the longest loops I’ve ever made, running for several meters across the space and balanced precariously above the permanently wet and grimy floor. They certainly appeared to impress the crowd:

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I realise it is customary at this point for me to include an audio extract from the performance via my Soundcloud Page, but on this occasion I regret to say that I’m unable to do so – the performance was deliberately tailored to play to the Cisternerne’s seventeen second reverb and so a simple ‘output recording’ would be missing half of the experience. I believe that there was some filming and recording taking place, so perhaps that will surface at some point, but for the moment those of you who couldn’t get a ticket will just have to take my word that it was an amazing experience. Plus I’m hoping that I will be allowed to give this historic structure the full ‘album treatment’ some time next year, a proposition that Strøm top-brass appear to be intrigued by, so all is not lost. Until such times, please enjoy these photos by Rasmus Kongsgaard together with some snappy sound-bites derived from running the article they came from through some slightly ropey online translation software:

Although cisterns are worth a visit in itself, it is electronic music of the most radical and uncompromising kind that is in the centre at tonight Power-event.

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There is no anywhere other than exactly here that these works may be noticed in this way. There’s nowhere else you can stand underground and fall in spell over a flickering candle while vaulting around you is echoing with issue noise from another world.

Distorted locomotive whistle, deep roar that could evoke an imam fair and elongated, umelodiøse soundscapes instantly puts the listener in a state of alluring scary. For although it is extremely difficult to get hold of the sonic bursts that puts both eardrums and stalactites in swings, and most of all sounds like the soundtrack to a dystopian sci-fi nightmare, it’s impossible not to be drawn into .

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The following afternoon I was performing my secondary role at the festival of leading a workshop on field recording and composition using some of the basic principles of musique concréte, as part of Strøm’s summer school programme open to students across Europe and beyond. This took place on a converted dredging ship by the docks, which made for a terrifically fertile environment for our class of 36 enthusiastic students to explore. Before long groups of people were scattered all around this waterside complex, looking for things to rub, hit and scrape. It was incredibly gratifying to observe these discoveries and to have such an attentive class, many of whom seemed to have a natural ear for spotting sounds ripe for manipulation – the small group I was leading found a very tasty drainpipe and nearly gave themselves permanent hearing damage in the process!

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A quick break from all the scraping, rubbing and hitting. Photo by Ingeborg Okkels

The plan had been for each small group to submit their best material to be dubbed onto quarter-inch tape and then for all the recordings to be appraised together as a class and worked into some sort of composition; while outlining some of the techniques that magnetic tape puts at one’s disposal. Unfortunately my quartet of reel-to-reels were feeling rather uncooperative that afternoon – perhaps still sore at spending the preceding evening in what was to all intents and purposes a dungeon – and so refused to put anything at anyone’s disposal what-so-ever. Thankfully I was still able to demonstrate some basic tape loop construction, though the bulk of the composition was demonstrated on my trusty-though-less-interesting laptop – did the job, just wasn’t as much of an immersive experience.

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Tape loop demonstration. Photo by Ingeborg Okkels

However, feeling that this itch hadn’t quite been scratched, I pulled out their recordings again when I arrived back at my studio last night and knocked the above short piece together. Hopefully it will retrospectively offer the students a clearer idea of the things we were discussing and provide some much-needed closure for me!

Before I forget, extra special thanks must go to Jim Slade (and family!), Pernille Krogmog and Allan Hansen for making it all happen, to co-performer and fellow-junglist Logos and of course to Laura Yawira Scheffer for being a shining beacon – quite literally as it was very hard to de-rig in the pitch darkness of the Cisternerne and her smartphone had a torch. Now I really must have a serious word with those naughty machines Daphne and Delia. I’m certainly not taking them on tour with William Basinski if they’re going to misbehave like this!

Oh, did I mention Howlround were going on tour with William Basinski? I did? Well, expect me to continue harping on about it for a while yet…

Decay Flier