In The Dark Meets Resonance FM – Monday 9th At The Social
Posted: November 4, 2015 Filed under: Uncategorized | Tags: 104.4FM, A Corner Seat In A Smoker Facing The Engine, BBC Sound Effects, In The Dark, Invisible Picture Palace, Radiophonic, Resonance 104.4FM, Resonance Radio Orchestra, Robin The Fog, The Social, Train Tracker Leave a comment
Very pleased to announce that two of my favourite organisations Resonance FM and In The Dark Radio are coming together once again to present a special evening at The Social in Little Portland Street this coming Monday.
The Resonance team will be presenting a hand-picked selection of curiosities from it’s vast (and conspicuously well-maintained!!) archive and The Resonance Radio Orchestra will be performing a new work written by the station’s commander-in-chief Ed Baxter. And I’ll be providing a DJ set of Radiophonic pop, BBC Sound Effects and outer space songs in-between. It’s promises to be quite an affair. Tickets available here. Come on down – what else is going to be as good on a Monday night in November, quite frankly?
‘Robin is the creator of one of ITD’s all-time favourite shorts “Train-Tracker” and long-time engineer for Jonny Trunk’s OST Show on Resonance FM and one half of the reel-to-reel tape loop duo Howlround’, advises the event’s web-page. More recently, I also gave a talk on Radiophonics a year or two ago at their marvellous Invisible Picture Palace, a listening centre that was installed temporarily in a greenhouse in the grounds of the old Power Station at Wapping, a marvellous gallery and art-space that has since been forced to join the ranks of similar London cultural spaces in making way for yet more luxury apartments. Oh, London, can you no longer even toss the arts community a greenhouse?
Anyway, I’m very much looking forward to hanging out with my In The Dark and Resonance friends once again. And while I’m not one to rake over past glories (not yet, anyway), I thought I’d dig that piece out one last time. I figured, what the hell, there’s probably intelligent life on a distant planet that I haven’t played it to yet!
The Fog Gets The Horn
Posted: June 9, 2014 Filed under: Uncategorized | Tags: 104.4FM, Aleksander Kolkowski, Arc Light Editions, BBC, BBC Radiophonic Workshop, BBC Sound Effects, Bill Fontana, Brian Hodgson, David Vorhaus, Delia Derbyshire, Denman Horn, Dick Mills, Evelyn Glennie, Exponential Horn, Fog, Fog Horns, Fog Tropes, Foghorns, Horn, Howlround, Ingram Marshall, Jonny Trunk, Landscape Sculpture With Foghorns, OST, Reginald D Lewis, Resonance FM, Robin The Fog, Roderick Denman, Sound Effects, The Science Museum, Tod Dockstader, Trunk Records, Tutankhamen 1 Comment
Aleksander Kolkowski and the Denman exponential horn, with the Resonance FM studio in the background
Presented for your approval, here is last Sunday’s OST Show Denman Horn Special, recorded live at the Science Museum and broadcast, depending on your geographical location, either down a colossal 27-foot exponential horn or on Resonance 104.4FM. Regular host Jonny Trunk was off down the seaside, doubtless trying to bag himself a coconut, or treat the family to some retro donkey-riding action; so once again I was charged with the task of steering Resonance FM’s soundtrack / library music programme through the choppy arts radio waters.
I’ve presented the OST show on numerous occasions, but never before had a 27-foot horn to play with, so I was determined that this special edition of the programme should have a bespoke playlist specifically designed to best honour Roderick Denman’s enduring legacy; not forgetting the efforts of Aleks Kolkowski and his team in bringing it back to life. The resulting hour is perhaps a little more ambient and drifty in nature than the usual groovy titillation, but features some quite marvellous new releases from Public Information and Arc Light Editions; as well as some classic radiophonic obscurities. Best appreciated on headphones if you don’t have a great big horn of your very own. As it were.
Or you can download it if you’re in a hurry. Here’s that horny tracklisting in full:
? – Tutankhamen’s Horn (archive recording from 1939 – source BBC)
Delia Derbyshire – Theme From Tutankhamen’s Egypt (The Music Of Africa, BBC Records, 1971)
Ingram Marshall – Fog Tropes (Fog Tropes / Gradual Requiem, rec 1984, Arc Light Editions, 2014)
Evelyn Glennie – The Seaside / In The Womb (Touch The Sound OST, Normal, 2004)
BBC Sound Effects – Fog and Ship’s Horn Montage (various, mixed by Robin The Fog)
Dick Mills – Seascape (The Soundhouse: Music From The BBC Radiophonic Workshop, 1983)
Howlround – неизвежбан (Secret Songs Of Savamala, The Fog Signals, 2013)
Selections from Happy Machine: Standard Music Library 1970-2010, (Public Information, 2014):
– Brian Hodgson – The Craters Of Mars
– Brian Hodgson & Reginald D. Lewis – Song Of The Wilderness
– Elliot Ireland, Allessandro Rizzo & Tom Greenwood – Sonus Soul
– Silver Float
– Stardrift In Two
– Snowbell Waltz
David Vorhaus – Sea Of Tranquility (A/B) ((The Vorhaus Sound Experiments, KPM, 1980)
Bill Fontana – Landscape Sculpture With Fog Horns, Live Radio Version, 1982 (KQED-FM, 1982)
As a bonus treat and an attempt to recreate a little of the magic of standing in front of the horn during the programme, here’s a recording of the above BBC Sound Effects montage made using a simple hand-held hard-disk recorder and sitting in the front row, approximately seven feet from that cavernous black mouth. This was made by sneaking out of the studio and grabbing a front-row seat, thereby simultaneously becoming both host and audience. Nothing can truly recapture the magic of hearing this recording while standing in front of a 27 foot horn, but until I can afford a big enough studio to build one of my own, it’s not a bad start:
The horn in it’s orginial position, image stolen from the Science Museum’s blog.
Resonance continues to broadcast on-site until the end of the month, while the Exponential Horn exhibition ‘In Search Of Perfect Sound‘ continues until the end of July. I urge you to visit if you haven’t already, as nothing can truly replicate the experience of standing in front of the horn. No microphone will do it justice, it’s a full aural immersion, go and hear it while you can!
