— BBC Radio 6 Music (@BBC6Music) July 18, 2015
First off, thanks very much to Stuart Maconie and producer Rebecca Gaskell for allowing me to play records and talk foley on BBC 6Music’s Freakier Zone this week. If you missed it and fancy hearing 100% exclusive extracts from Howlround‘s very-nearly-finished fourth album (including one track so new it had to be hurriedly assembled prior to broadcast) plus personal sound FX selections including the immortal ‘Grotbag’s Cauldon’, you can listen again here. There’s treats aplenty, even if I do say so myself!
Speaking of exclusive treats, I’d like to hereby present for your approval Howlround‘s first ever promo video and the unveiling of another brand new track ‘OH’, produced in collaboration with abandoned playground aka US musician and fellow tape enthusiast Ray Carmen:
The track is created entirely from microcassette recordings made by Ray in the 1990s – of his infant daughter, chimes in the park and distant train sirens. As soon as we heard them it quickly became apparent that they were crying out for some deep spool action and Ray has very kindly obliged. Some have called the results our finest work yet, or at least our most accessible. I’m happy to go along with either, quite frankly.
Howlround are also very pleased to reveal that an edited version of the above features on a brand new 16-track charity compilation XPYLON, released on August 5th and featuring Kemper Norton, Cindy Talk, Time Attendant, Dolly Dolly, Ekoplekz alter-ego Gloria Gloucestershire and side-projects by members of Hacker Farm and Band Of Holy Joy – all artists released by or associated with the now sadly-defunct record label and radio show Exotic Pylon. 100% of proceeds from the sale of this compilation will be donated to mental health charity Mind, so it’s a worthy cause as well as a thoroughly stimulating listen. Pre-order your copy here.
Incidentally, the compilation also features an exclusive track by The British Space Programme, the latest project by ace music producer and Quiet World label-boss Ian Holloway. The debut BSP album Eyes Turned Skyward is out now and is really rather super. Unfortunately Ian recently had a rather nasty altercation with a flight of stairs, resulting in a horrific-sounding knee-injury, swiftly followed by hospitalisation and surgery, so it looks as if future projects might be somewhat delayed. Thankfully he appears to be on the road to recovery, though justifiably a little miffed with being house-bound. Why not help speed that recovery along by browsing the extensive Quiet World catalogue and perhaps making a purchase or two? Just a thought…
Finally, you might have noticed the ‘OH’ promo video is dedicated to broadcaster, inventor, and polymath Bob Symes, who sadly passed away earlier this year. The reason for this dedication will be immediately apparent to anyone aware of the great man and his work, but I would urge everyone else to take five minutes out of their lives and watch this clip of him in action on BBC TV in the 1970s. Whatever your opinion regarding modified coffee tables, if the sheer, unbridled enthusiasm he shows towards the subject (as for seemingly everything he turned his hand to) doesn’t warm your heart, nothing will. An ‘eye-smiler’ as my flatmate observed when I forced her to sit through it. Or as Bob himself might say, ‘Really remarkable’. Bravo, sir, and RIP.
Presented for your approval, here is last Sunday’s OST Show Denman Horn Special, recorded live at the Science Museum and broadcast, depending on your geographical location, either down a colossal 27-foot exponential horn or on Resonance 104.4FM. Regular host Jonny Trunk was off down the seaside, doubtless trying to bag himself a coconut, or treat the family to some retro donkey-riding action; so once again I was charged with the task of steering Resonance FM’s soundtrack / library music programme through the choppy arts radio waters.
I’ve presented the OST show on numerous occasions, but never before had a 27-foot horn to play with, so I was determined that this special edition of the programme should have a bespoke playlist specifically designed to best honour Roderick Denman’s enduring legacy; not forgetting the efforts of Aleks Kolkowski and his team in bringing it back to life. The resulting hour is perhaps a little more ambient and drifty in nature than the usual groovy titillation, but features some quite marvellous new releases from Public Information and Arc Light Editions; as well as some classic radiophonic obscurities. Best appreciated on headphones if you don’t have a great big horn of your very own. As it were.
Or you can download it if you’re in a hurry. Here’s that horny tracklisting in full:
? – Tutankhamen’s Horn (archive recording from 1939 – source BBC)
Delia Derbyshire – Theme From Tutankhamen’s Egypt (The Music Of Africa, BBC Records, 1971)
Ingram Marshall – Fog Tropes (Fog Tropes / Gradual Requiem, rec 1984, Arc Light Editions, 2014)
Evelyn Glennie – The Seaside / In The Womb (Touch The Sound OST, Normal, 2004)
BBC Sound Effects – Fog and Ship’s Horn Montage (various, mixed by Robin The Fog)
Dick Mills – Seascape (The Soundhouse: Music From The BBC Radiophonic Workshop, 1983)
Howlround – неизвежбан (Secret Songs Of Savamala, The Fog Signals, 2013)
Selections from Happy Machine: Standard Music Library 1970-2010, (Public Information, 2014):
– Brian Hodgson – The Craters Of Mars
– Brian Hodgson & Reginald D. Lewis – Song Of The Wilderness
– Elliot Ireland, Allessandro Rizzo & Tom Greenwood – Sonus Soul
– Silver Float
– Stardrift In Two
– Snowbell Waltz
David Vorhaus – Sea Of Tranquility (A/B) ((The Vorhaus Sound Experiments, KPM, 1980)
Bill Fontana – Landscape Sculpture With Fog Horns, Live Radio Version, 1982 (KQED-FM, 1982)
As a bonus treat and an attempt to recreate a little of the magic of standing in front of the horn during the programme, here’s a recording of the above BBC Sound Effects montage made using a simple hand-held hard-disk recorder and sitting in the front row, approximately seven feet from that cavernous black mouth. This was made by sneaking out of the studio and grabbing a front-row seat, thereby simultaneously becoming both host and audience. Nothing can truly recapture the magic of hearing this recording while standing in front of a 27 foot horn, but until I can afford a big enough studio to build one of my own, it’s not a bad start:
Resonance continues to broadcast on-site until the end of the month, while the Exponential Horn exhibition ‘In Search Of Perfect Sound‘ continues until the end of July. I urge you to visit if you haven’t already, as nothing can truly replicate the experience of standing in front of the horn. No microphone will do it justice, it’s a full aural immersion, go and hear it while you can!