Yep, it that’s time of the year once again where the world’s greatest radio station asks its listeners and supporters to dip hands into pockets and donate towards keeping them on air for another year. But it’s by no means a one-way street as there’s a whole pile of special broadcasts taking place all this week and an online auction with plenty of fantastic objects, artifacts and experiences you can win in exchange for your cash: Record bags, festival tickets, a psychedelic tour of London in a Rolls Royce – the full list can be found on the bespoke Resonance Fundraising website here. I’m currently bidding on brunch for two at the Oxo Tower. There are a couple of Howlround items up for grabs as well:
First off, the final remaining copy of the Torridon Gate LP, number 100/100, hand-numbered and stamped, screen-printed cover by Hannah Brown and printed translucent sleevenotes. A one-off pressing of 100 copies only, the entire stock sold out in a single afternoon back in April 2015, but we’ve been holding this one back especially. Click on the above image to bid!
Secondly, an even-rarer test pressing of latest album Tales From The Black Tangle. Hand-written label, numbered 2/6, in full-colour LP sleeve. This album is also now completely out-of-print and despite lots of harrumphing from the populace in general, there will be no re-presses. Sorry, all, but a promise is a promise! This is your last chance to own a slice of Howlround history! Click on the above image to bid!
Next up, and forgive me for banging on about this again, but I really am super-excited about this coming Friday (19th), when we’ll be rocking the Book and Record Bar in West Norwood, with all proceeds going to the fundraiser. Lucky Cat Zoe, Hannah Brown, Michael the Landlord and myself along with very special guest DJ Food will be manning the decks from 8pm and there’s a raffle with fabulous prizes and a bar (please don’t spill any on the vinyl). Rumours that DJ Food will be giving away a large chunk of the records he plays remain unconfirmed, but persistent. Part two of his guest appearance on mine and Hannah’s new Resonance show ‘Near Mint’ is repeated this Friday at 10am, but you can also now listen to both parts on my Mixcloud page here.
The following afternoon, I shall be heading to the studio to present a marathon fundraising special of The OST Show in regular host Jonny Trunk’s absence. I’ll be joined by Radiophonic expert and Buried Treasure Recordings commander-in-chief Alan Gubby, who in a message probably unintended for publication has assured me he’s cooking up a stew of everything from “gritty 7″ rock n rollers to groovy radiophonic funk with lots of abstract tape experiments and early synth minimalism in-between – a couple of unreleased [insert names of legendary Radiophonic Workshop figures] bits, plus a competition prize package of Buried Treasure releases including the last vinyl copy of The Vendetta Tapes” – that last being, of course, the vinyl LP of unreleased John Baker cues, released last year and leaving Radiophonicists the world over in a state of complete frenzy. If you missed it the first time around, here’s one final chance to get your hands on a copy. Tune in, 15.30 on Saturday…
Speaking of Radiophonics and proof if any were needed of just how important Resonance FM is as an alternative broadcaster, have a listen to Rebecca Gaskell’s documentary on Delia Derbyshire Day that was broadcast last week as part of the station’s regular ‘Clear Spot’ feature. You might recall my BBC report on the event from a few weeks ago, but this goes into far more detail than can be achieved in four minutes and really lifts the lid on just what a remarkable composer she was, featuring lesser known extracts from her archive plus extended interviews with festival curator Caro C, archivist Dr. David Butler and musician Mandy Wigby – plus I’m proud to say I had a small consultancy role and sourced some of the music. It’s always nice to be useful!
And lastly, another superb Clear Spot from a couple of weeks ago was ‘Beauty and the Bleak’, produced by Art Assembly’s Julia Dempsey and mixed and edited by myself in a frantic scrabble to meet the Tx deadline – but it was more than worth it! The second of Art Assembly’s in the series of Saisonscape: Decay programmes, this edition features extended interviews with poet and musician Autumn Richardson and sound artist Lauren Bon discussing their work. Their locations and subject matter differ greatly, but their approaches to the subject of decay, isolation and, yes, bleakness, compliment each other beautifully. A real pleasure to work on, this one, event if it was a bit of a narrow squeak to get it finished!
And lastly, while it doesn’t really have anything to with Resonance, there’s another chance to hear Howlround’s sound installation ‘Mansion House Clocks’ produced for Vespertine York last September, at St. Mary’s in the city’s Castlegate area. From 17th-20th, Vespertine York are kicking off the year by exhibiting some of the bespoke works they’ve commissioned over the past year along with a programme of workshops and other delights. Further details here. That was a jolly fine installation, even if I do say so myself…
Pleased as punch to be part of this stellar line-up celebrating the launch of Buried Treasure’s gorgeous new 19-track concept compilation of modern day Radiophonia. The album (available here) is available now on CD for a mere SIX POUNDS and tickets to the launch party (available here) for include a complimentary download. I’m told both are selling fast, so don’t sleep on this one! Please enjoy this rather super trailer with further atmospheric details:
Presented for your approval, here is last Sunday’s OST Show Denman Horn Special, recorded live at the Science Museum and broadcast, depending on your geographical location, either down a colossal 27-foot exponential horn or on Resonance 104.4FM. Regular host Jonny Trunk was off down the seaside, doubtless trying to bag himself a coconut, or treat the family to some retro donkey-riding action; so once again I was charged with the task of steering Resonance FM’s soundtrack / library music programme through the choppy arts radio waters.
I’ve presented the OST show on numerous occasions, but never before had a 27-foot horn to play with, so I was determined that this special edition of the programme should have a bespoke playlist specifically designed to best honour Roderick Denman’s enduring legacy; not forgetting the efforts of Aleks Kolkowski and his team in bringing it back to life. The resulting hour is perhaps a little more ambient and drifty in nature than the usual groovy titillation, but features some quite marvellous new releases from Public Information and Arc Light Editions; as well as some classic radiophonic obscurities. Best appreciated on headphones if you don’t have a great big horn of your very own. As it were.
Or you can download it if you’re in a hurry. Here’s that horny tracklisting in full:
? – Tutankhamen’s Horn (archive recording from 1939 – source BBC)
Delia Derbyshire – Theme From Tutankhamen’s Egypt (The Music Of Africa, BBC Records, 1971)
Ingram Marshall – Fog Tropes (Fog Tropes / Gradual Requiem, rec 1984, Arc Light Editions, 2014)
Evelyn Glennie – The Seaside / In The Womb (Touch The Sound OST, Normal, 2004)
BBC Sound Effects – Fog and Ship’s Horn Montage (various, mixed by Robin The Fog)
Dick Mills – Seascape (The Soundhouse: Music From The BBC Radiophonic Workshop, 1983)
Howlround – неизвежбан (Secret Songs Of Savamala, The Fog Signals, 2013)
Selections from Happy Machine: Standard Music Library 1970-2010, (Public Information, 2014):
– Brian Hodgson – The Craters Of Mars
– Brian Hodgson & Reginald D. Lewis – Song Of The Wilderness
– Elliot Ireland, Allessandro Rizzo & Tom Greenwood – Sonus Soul
– Silver Float
– Stardrift In Two
– Snowbell Waltz
David Vorhaus – Sea Of Tranquility (A/B) ((The Vorhaus Sound Experiments, KPM, 1980)
Bill Fontana – Landscape Sculpture With Fog Horns, Live Radio Version, 1982 (KQED-FM, 1982)
As a bonus treat and an attempt to recreate a little of the magic of standing in front of the horn during the programme, here’s a recording of the above BBC Sound Effects montage made using a simple hand-held hard-disk recorder and sitting in the front row, approximately seven feet from that cavernous black mouth. This was made by sneaking out of the studio and grabbing a front-row seat, thereby simultaneously becoming both host and audience. Nothing can truly recapture the magic of hearing this recording while standing in front of a 27 foot horn, but until I can afford a big enough studio to build one of my own, it’s not a bad start:
Resonance continues to broadcast on-site until the end of the month, while the Exponential Horn exhibition ‘In Search Of Perfect Sound‘ continues until the end of July. I urge you to visit if you haven’t already, as nothing can truly replicate the experience of standing in front of the horn. No microphone will do it justice, it’s a full aural immersion, go and hear it while you can!