Now that the dust has settled, Howlround would like to say a huge thank you to everyone who attended both our performance and sound installation as part of the Jardins Efémeros Festival and also to everyone who helped in making it come to pass. There are far too many people to name individually, but particular gratitude must go to Sandras Oliverira and Rodrigues, Filipe Oliveira, Lino Ferreira, Jose Cruzio, the staff of both the Nacional Museum Grão Vasco and the Funerária D. Duarte and of course the ever-resourceful sound engineers Cristóvão Cunha and José Marques for putting up with our myriad of strange demands! And of course to Rui Miguel Abreu for kick-starting our participation in the whole affair – we owe all of these people several beers and will do our best to make good on this at some point. It was certainly one of our most memorable performances both for location, attendance, reception and dramatic incident – though thankfully poor Delia now seems to have recovered! Here’s a brief extract again in case you missed it:
And what a magnificent festival it’s been, encompassing performances, installations, workshops, sculptures, exhibits and DJs that took over the whole town, attracting both young and old, local and international. Unfortunately, the preparation of our own works required much squirrelling away in the backroom of our temporary studio-cum-abandoned-tie-shop and missing some fine work as a result, but we did our best to catch up where possible. Pye Corner Audio (the only other UK act on the bill) and Not Waving‘s joint set was predictably awesome but there were plenty of new personal discoveries too including supercharged garage punk from Dirty Coal Train plus ethereally brilliant solo sets from Johnathan Saldanha and Hysterical One Man Orchestra, both of HHY & The Macumbas. To our great regret we missed their group’s collective performance due to being locked in the museum (and who hasn’t had that happen to them at some point?), but made up for it with Lybomyr Melnyk‘s lengthy, dexterous and evocative solo piano works in the splendour of Viseu’s 16th Century Cathedral, not to mention Barcelona’s Eli Gras incorporating sound toys and bizarre home-made instruments into a set that had all the infectious enthusiasm of a kid in a sonic sweet shop. Away from the live music, DJ Sonido Tupinamba dropping some Yma Sumac and Martin Denny in the town square was a perfect backdrop to a restorative afternoon beverage and I really should also thank that one bar (the name of which escapes me) that both allowed and encouraged me to spin Oldskool Hip Hop on a borrowed laptop. Fun times, but there’s so much that I’ve left out!
Sadly the festival (including our sound installation at the Funerária) ends this weekend, but if you’re in the vicinity there’s still plenty to see before the curtain comes down and the gardens themselves are cleared away on Sunday night. Our thanks go once again to festival curator, organiser, lynchpin and hardest working woman in Portugal, Sandra Oliveira, for putting the whole thing together and not sleeping for days. We’re hoping you get to have a holiday at some point – and that you’ll let us come back next time!
Howlround will be performing as part of this year’s Jardins Efémeros Festival (or ‘Ephemeral Gardens’) in Viseu, Portugal on July 3rd at the Nacional Museum Grão Vasco. We’ll also be producing a sound installation in a funeral parlour! Click on the image below for more details and the full festival line-sup can be downloaded as a PDF here. Further sounds and images to follow – plus Pye Corner Audio and Holly Herndon are playing too! Hurrah!
It’s the first event in what is shaping up to be quite a busy summer for Daphne, Delia, Magdalena and Elisabeth, our quartet of sprightly though occasionally wonky reel-to-reel machines. So busy in fact, that I thought it might be an idea to embody it in poster form:
In the meantime, thanks to everyone who came to Speak No Evil‘s ‘Light And Shadow Salon’ last Thursday and to the staff of New River Studios for going above and beyond the call of duty to ensure that our quartet of tape machines got home safely (it’s a long story). Great new venue, hopefully we’ll be invited back soon. I was intending to post an extract here from this first Howlround performance since that Barcelona basement last summer, but unfortunately due to a technical glitch I’m currently unable to do so. However the entire event was being simultaneously broadcast on Sonica.FM, so with a bit of luck we might be able to work something out. Thanks to everyone who came up and told us how much they had enjoyed our set, but for added amusement I shall leave with you with the unsolicited advice offered by an older gentleman in the audience who, after observing us conjuring a mass of howls, shrieks and clanks from our quartet of elderly reel-to-reel machines and a vast tangle of ageing, twisted tape, remarked that our live set needed to be a bit ‘slicker’ and ‘more professional’ if we were going to get anywhere. I thanked him and suggested he check out our alternative website http://www.spectacularlyandheroicallymissinghepointofthewholedamnedenterprise.com
Howlround’s first live performance of the year (and for almost a year!) occurs at ‘The Light And Shadow Salon’ on June 25th. An evening of varied audio-visual performances, film, improvisation and even magic lanterns, it’s the brainchild of our friends Speak No Evil and takes place at historic London arts venue The Horse Hospital.
There’s a Facebook Event page with details of the rather super line-up in full, plus you can learn more about this most fascinating building (and how you can play a part in saving it from the relentless march of the sterile corporate behemoth currently ravaging our fair city) here.
Our tape machines are looking set to make up for lost time with a busy summer playing at festivals in both Viseu, Portugal in July and Copenhagen, Denmark in August; further details of which should be arriving on these pages soon, as well as details of a new Howlround LP in late summer/early autumn. To be honest I’ve no real idea yet what shape it might take, but I can reveal we’re sitting on a sizeable reserve of new material; and that after the vinyl reissue of Torridon Gate sold out in a single afternoon, I’m very keen to follow it with something fresh. Rest assured that any subsequent developments will be trumpeted loudly from the rooftops.
Speaking of reissues, you might remember Brood Ma‘s excellent P O P U L O U S (not to mention the follow-up r e P O P U L O U S featuring remixes by Yearning Kru, Ornine and myself), released on his Quantum Natives label last year. Well, it’s now been reissued on vinyl by Untold’s ever-superb Hemlock Recordings and sounds fatter than ever. I was going to write ‘phatter’, but I’m not sure that’s been culturally acceptable since about 1996. Suffice to say it still bangs and squelches in all the right places and I’m happily rinsing it round at Fog Towers all over again.
Equally excitingly, Ghost Box have just put out two of their finest releases on vinyl for the first time – 2007’s Quatermass-channelling Seance At Hob’s Lane by Mount Vernon Arts Lab and The Advisory Circle‘s sublime Other Channels from the following year. Both are highly deserving of the heavyweight vinyl treatment and Julian House’s artwork looks better than ever in twelve inches. And as if this wasn’t enough, The Advisory Circle’s Jon Brooks, never one to rest on his laurels, has just released another excellent new LP, Walberswick on More Than Human Records. Whatever his secret is, I do wish he’d bottle it!
And finally, while it doesn’t really have anything to do with the above business, this wondrous thing finally turned up in the post last week:
Isn’t it beautiful?
I’ve been hunting a Sesame Street record box for a number of years now, even going so far as trying to sneak off with one belonging to fellow Sesame-addict DJ Food while his back was turned. Now, after a decade of impatient online scouring and bungled petty-thievery, this little beauty has pride of my place on my shelf and plays host to my modest collection of slightly battered CTW and other Muppet 45s (including ‘I Love Trash’, as you’d expect), a rather marvellous single by Bert entitled ‘Clink, Clank’ and – though I’m embarrassed to admit it – my copy of the decidedly non-canon: ‘Big Bird & His Blowers’. That’s right at the back of the box, as you might expect and it should probably stay there.
Anyway, the discovery of this box and the aforementioned glut of reissues by some of my favourite artists have contributed not only to making June a rather exciting month musically, but also to my recent inability to put my hand in my pocket and get a round in. And so, as an act of contrition I thought I’d leave you with this charming performance of ‘Clink, Clank’ I found on youtube. Some might argue that all this is veering dangerously off-topic, but I feel I should point out that Bert’s delight in the strange sounds produced by his apartment’s plumbing not only has vague echoes of my own childhood but also sums up the Howlround modus operandi pretty neatly.
Besides, I love going off-topic. Get to it, gentlemen: