Jardins Efémeros – More Clippings From The Gardens

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Viseu’s ‘Praça D. Duarte’ at the height of festivities. The Funerária D. Duarte where we staged our sound installation is second-from-right.

Now that the dust has settled, Howlround would like to say a huge thank you to everyone who attended both our performance and sound installation as part of the Jardins Efémeros Festival and also to everyone who helped in making it come to pass. There are far too many people to name individually, but particular gratitude must go to Sandras Oliverira and Rodrigues, Filipe Oliveira, Lino Ferreira, Jose Cruzio, the staff of both the Nacional Museum Grão Vasco and the Funerária D. Duarte and of course the ever-resourceful sound engineers Cristóvão Cunha and José Marques for putting up with our myriad of strange demands! And of course to Rui Miguel Abreu for kick-starting our participation in the whole affair – we owe all of these people several beers and will do our best to make good on this at some point. It was certainly one of our most memorable performances both for location, attendance, reception and dramatic incident – though thankfully poor Delia now seems to have recovered! Here’s a brief extract again in case you missed it:

Howlround Live Cloister 1

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We’re thinking of incorporating a glitterball into all future Howlround performances!

And what a magnificent festival it’s been, encompassing performances, installations, workshops, sculptures, exhibits and DJs that took over the whole town, attracting both young and old, local and international. Unfortunately, the preparation of our own works required much squirrelling away in the backroom of our temporary studio-cum-abandoned-tie-shop and missing some fine work as a result, but we did our best to catch up where possible. Pye Corner Audio (the only other UK act on the bill) and Not Waving‘s joint set was predictably awesome but there were plenty of new personal discoveries too including supercharged garage punk from Dirty Coal Train plus ethereally brilliant solo sets from Johnathan Saldanha and Hysterical One Man Orchestra, both of HHY & The Macumbas. To our great regret we missed their group’s collective performance due to being locked in the museum (and who hasn’t had that happen to them at some point?), but made up for it with Lybomyr Melnyk‘s lengthy, dexterous and evocative solo piano works in the splendour of Viseu’s 16th Century Cathedral, not to mention Barcelona’s Eli Gras incorporating sound toys and bizarre home-made instruments into a set that had all the infectious enthusiasm of a kid in a sonic sweet shop. Away from the live music, DJ Sonido Tupinamba dropping some Yma Sumac and Martin Denny in the town square was a perfect backdrop to a restorative afternoon beverage and I really should also thank that one bar (the name of which escapes me) that both allowed and encouraged me to spin Oldskool Hip Hop on a borrowed laptop. Fun times, but there’s so much that I’ve left out!

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A Town Transformed

Eli Gras

Eli Gras tears it up. She built all of these instruments herself and they sounded as amazing as they looked.

Anita Ackermann Sculpture

Anita Ackermann’s ‘In The Light Of Movement’ installation. Head-torches a must.

Sadly the festival (including our sound installation at the Funerária) ends this weekend, but if you’re in the vicinity there’s still plenty to see before the curtain comes down and the gardens themselves are cleared away on Sunday night. Our thanks go once again to festival curator, organiser, lynchpin and hardest working woman in Portugal, Sandra Oliveira, for putting the whole thing together and not sleeping for days. We’re hoping you get to have a holiday at some point – and that you’ll let us come back next time!

Sandra

Sandra Oliveira with requisite head-torch. I think the other chap might be the Mayor.

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