Very excited to announce Howlround’s TV debut on the BBC’s flagship technology programme Click is now available here for your viewing pleasure (we feature about 10 minutes in). I’m posting all this slightly belatedly as I was out in the wilds of Yucca Valley without internet during it’s first airing and remained in blissful ignorance of such exciting developments for an unprecedented 36 hours. Anyway, please watch and enjoy affable host Spencer Kelly paying a visit to the New Broadcasting House studio featuring the creaking mic stand that has given Howlround so much raw material to play with over the past year; then heading to our own studio where we introduced him to the machines and allowed him free reign of the mixing desk. I think he rather enjoyed it!
As if all this wasn’t exciting enough, the track we created during the team’s visit is now available from Soundcloud as a complimentary download, so feel free to make a few Clicks of your own in this direction:
The feature also included footage from last year’s set for 4’33” Cafe at The Base Elements Gallery in the gothic quarter of Barcelona, so I thought you might appreciate another airing of the original video with a nod and a wink once again to our friends JP and Ale!
In other news, finally back from a whirlwind couple of weeks in the US, playing Howlround’s first American shows, doing a spot of record digging and having our minds expanded with a ‘Sound Bath’ at The Integraton, a truly remarkable domed structure out in the wilds of Yucca Valley – and the only venue I’ve ever visited that was financed by Howard Hughes and built under the guidance of alien intelligence. The day concluded with some late-night desert recording with my old friend Guy J. Jackson in freezing conditions under a full moon in the back of an abandoned tour-bus, though thankfully free of extra-terrestrial intervention. More on that at some point later…
Huge thanks must go once again to Erik and Ben of the excellent Gray Columns, to equally splendid support band Offret and to Andee, Allan and Kirk of aQuarius recOrds, San Francisco for making it all possible. And especial thanks to Guy and Holly, plus my ever-patient and brave travelling companions Gemma Ritson and Kaitlyn Spillane! When can we do this again?
Curiously, I had no trouble at all getting tape machines Elisabeth and Magdalena through airport security. As one official shrugged – ‘It’s cool, this is Portland’! Which may also help to explain my discovery of this little gem while perusing a local emporium. I can feel a new mixtape coming on already…
And finally, I must quickly plug the latest instalment of Art Assembly‘s ‘Saisonscape Decay’ radio programmes that was broadcast last week in anticipation of their show at Cafe Oto. Featuring Lisa ‘Sleeps In Oysters’ Busy, Graham Dunning, Kemper Norton and Sarah Angliss discussing their work in conversation with host Julia Dempsey and mixed and edited by myself and partner in tape Chris Weaver. In fairness, he got the lion’s share of the work as I had a plane to catch!
Taking place in autumn, “Decay” reflects on the natural cycle of the season – leaf litter and organic material dropping to the ground and breaking down into one, renewing the soil with a rich and nourishing composition. This programme focuses on artists who use archives of field recordings, folk story and who layer instrumentation, objects and found sound. Sounds, ideas and material mulch into new combinations, providing fertile ground for unexpected work.
New material is expected imminently from each of the programme’s guests and I’ll try and cover as much of it on these pages as possible, but for now I can confirm that Lisa Busby’s new solo album Fingers In The Gloss is out already and available here on limited CD. There’s also this decidedly eerie promotional video for the single ‘Hollow Blown Egg’ to savour. So many talented friends!
— BBC Radio 6 Music (@BBC6Music) July 18, 2015
First off, thanks very much to Stuart Maconie and producer Rebecca Gaskell for allowing me to play records and talk foley on BBC 6Music’s Freakier Zone this week. If you missed it and fancy hearing 100% exclusive extracts from Howlround‘s very-nearly-finished fourth album (including one track so new it had to be hurriedly assembled prior to broadcast) plus personal sound FX selections including the immortal ‘Grotbag’s Cauldon’, you can listen again here. There’s treats aplenty, even if I do say so myself!
Speaking of exclusive treats, I’d like to hereby present for your approval Howlround‘s first ever promo video and the unveiling of another brand new track ‘OH’, produced in collaboration with abandoned playground aka US musician and fellow tape enthusiast Ray Carmen:
The track is created entirely from microcassette recordings made by Ray in the 1990s – of his infant daughter, chimes in the park and distant train sirens. As soon as we heard them it quickly became apparent that they were crying out for some deep spool action and Ray has very kindly obliged. Some have called the results our finest work yet, or at least our most accessible. I’m happy to go along with either, quite frankly.
Howlround are also very pleased to reveal that an edited version of the above features on a brand new 16-track charity compilation XPYLON, released on August 5th and featuring Kemper Norton, Cindy Talk, Time Attendant, Dolly Dolly, Ekoplekz alter-ego Gloria Gloucestershire and side-projects by members of Hacker Farm and Band Of Holy Joy – all artists released by or associated with the now sadly-defunct record label and radio show Exotic Pylon. 100% of proceeds from the sale of this compilation will be donated to mental health charity Mind, so it’s a worthy cause as well as a thoroughly stimulating listen. Pre-order your copy here.
Incidentally, the compilation also features an exclusive track by The British Space Programme, the latest project by ace music producer and Quiet World label-boss Ian Holloway. The debut BSP album Eyes Turned Skyward is out now and is really rather super. Unfortunately Ian recently had a rather nasty altercation with a flight of stairs, resulting in a horrific-sounding knee-injury, swiftly followed by hospitalisation and surgery, so it looks as if future projects might be somewhat delayed. Thankfully he appears to be on the road to recovery, though justifiably a little miffed with being house-bound. Why not help speed that recovery along by browsing the extensive Quiet World catalogue and perhaps making a purchase or two? Just a thought…
Finally, you might have noticed the ‘OH’ promo video is dedicated to broadcaster, inventor, and polymath Bob Symes, who sadly passed away earlier this year. The reason for this dedication will be immediately apparent to anyone aware of the great man and his work, but I would urge everyone else to take five minutes out of their lives and watch this clip of him in action on BBC TV in the 1970s. Whatever your opinion regarding modified coffee tables, if the sheer, unbridled enthusiasm he shows towards the subject (as for seemingly everything he turned his hand to) doesn’t warm your heart, nothing will. An ‘eye-smiler’ as my flatmate observed when I forced her to sit through it. Or as Bob himself might say, ‘Really remarkable’. Bravo, sir, and RIP.
After last week’s possibly-miraculous Outer Church-related coincidence in Barcelona, and as perhaps some kind of cosmic riposte to my comments about the potential alignment of the planets in contributing to it, I’m rather sorry to report that church overlord Mr. Joseph Stannard has booked a three-date coastal tour of the UK at the precise moment when I’m not in the country to enjoy it. Cosmically bad luck on my part, particularly with such a jolly fine line-up. Might I respectfully suggest you partake in my stead? Further details here. Further details with the added social networking benefits of Facebook here.
Seriously, I am very sorry I won’t be there. The last night is at Brighton’s Green Door Store and it seems only yesterday that Howlround were there doing a turn of our own at the Outer Church compilation launch. Happy days, eh Chris?
Must dash, am off on a sonic adventure to the US to chase ghost towns and desert songs. My first stop after the airport will be the nearest branch of Radio Shack to buy an adaptor for my contact mic, which I’m hoping to dangle off a few monuments. Perhaps I should wear my Outer Church T-shirt while doing so and see who else I bump into?