Gather round, friends, lots of exciting new stuff to talk about this week. First off the latest Near Mint show on Resonance 104.4FM sees myself and Hannah Brown taking a trip deep into the jungle, where we’re searching for treasure – more specifically, the rarest and most ridiculously over-priced treasure we can find. It’s the first of a two-part special playing the most expensive hardcore and jungle we could… well, I was going to say lay our hands on, but at these prices that would be fraud.
I’ve spoken often on these pages about my great love for oldskool and hardcore jungle music of the 1990s and my quest to fill the odd gaping whole in my otherwise robust collection. But the sky-rocketing second-hand price of some of the rarer 12″s over the last couple of years has really started to hamper my efforts – and I’m not the only one to notice. For example, the record shown above is our opening track, a 1994 single-sided white label by DJ Crystl that’s currently retailing on the Discogs website for £125.22 – and that’s the cheapest record featured on the programme. A legendary producer and a great track – but is it really worth that much? Mind you, it’s probably a little early to start asking that question, I can inform you in the second part next week the silliness levels go right off the chart. Listen closely and savour the experience, you’ll almost certainly never come across these records in the flesh…
In other news, Buried Treasure Recordings commander-in-chief Alan Gubby has been extremely busy of late, producing and uploading a number of videos from last year’s Delaware Road launch party, including this rather spiffy video trailer:
You might remember his appearance as my special guest on Resonance FM’s OST Show last month, where he treated us to some as-yet-unreleased Radiophonic delights. Well, after the success of the launch party and the plethora of extremely complimentary reviews that has followed in the album’s wake, he’s let slip that he has big plans for the future of the project, including a series of further live dates and even a screen-play in development. I will of course keep you informed on all the latest. In the meantime, you can find the Delware Road video playlist in full here. And the label is also poised to release an album by Delaware contributors The Dandelion Set. Only one track from A Thousand Strands 1975-2015 is currently available online, but it’s a collaboration with the legendary Alan Moore and an absolute belter to boot. Have a listen:
Over in Portland, Oregon, my good friends Gray Columns also have an excellent new album to show off. Making good on the anticipation caused by posting a couple of tasty tracks online last year, debut full-length release Cloud of Night is a single track split into four movements and recorded in just two days. Described as ‘masterful, beautiful, and the right kind of unnerving’ by ExperimentalPortland.com, it’s a dense and gorgeous tangle of crepuscular drones, creaks and crackles. Erik and Ben, I salute you. Now when are you going to come over here so we can get that collaboration started?! The kettle is on…
Speaking of talented comrades, very excited to hear new material surfacing from Ordinate. The duo of JP Hartnett and John Flynn (who also records solo under the name Spaces) contributed a track of thick, murky techno to Earwiggle’s excellent Eight Wigglin’ Ways To Die compilation last year and now look set to release their debut 12″ next month. To further whet our appetites they’re produced a session for Mantis Radio On FutureMusic.FM, choc-full of new and unreleased material. Have a listen to the programme, then befriend them on Facebook and Soundcloud, why don’t you? Can’t wait to hear the finished release!
Gosh, what a bumper crop of awesome stuff I’ve unearthed this week. I really am too good to you….
Very excited to announce Howlround’s TV debut on the BBC’s flagship technology programme Click is now available here for your viewing pleasure (we feature about 10 minutes in). I’m posting all this slightly belatedly as I was out in the wilds of Yucca Valley without internet during it’s first airing and remained in blissful ignorance of such exciting developments for an unprecedented 36 hours. Anyway, please watch and enjoy affable host Spencer Kelly paying a visit to the New Broadcasting House studio featuring the creaking mic stand that has given Howlround so much raw material to play with over the past year; then heading to our own studio where we introduced him to the machines and allowed him free reign of the mixing desk. I think he rather enjoyed it!
As if all this wasn’t exciting enough, the track we created during the team’s visit is now available from Soundcloud as a complimentary download, so feel free to make a few Clicks of your own in this direction:
The feature also included footage from last year’s set for 4’33” Cafe at The Base Elements Gallery in the gothic quarter of Barcelona, so I thought you might appreciate another airing of the original video with a nod and a wink once again to our friends JP and Ale!
In other news, finally back from a whirlwind couple of weeks in the US, playing Howlround’s first American shows, doing a spot of record digging and having our minds expanded with a ‘Sound Bath’ at The Integraton, a truly remarkable domed structure out in the wilds of Yucca Valley – and the only venue I’ve ever visited that was financed by Howard Hughes and built under the guidance of alien intelligence. The day concluded with some late-night desert recording with my old friend Guy J. Jackson in freezing conditions under a full moon in the back of an abandoned tour-bus, though thankfully free of extra-terrestrial intervention. More on that at some point later…
Huge thanks must go once again to Erik and Ben of the excellent Gray Columns, to equally splendid support band Offret and to Andee, Allan and Kirk of aQuarius recOrds, San Francisco for making it all possible. And especial thanks to Guy and Holly, plus my ever-patient and brave travelling companions Gemma Ritson and Kaitlyn Spillane! When can we do this again?
Curiously, I had no trouble at all getting tape machines Elisabeth and Magdalena through airport security. As one official shrugged – ‘It’s cool, this is Portland’! Which may also help to explain my discovery of this little gem while perusing a local emporium. I can feel a new mixtape coming on already…
And finally, I must quickly plug the latest instalment of Art Assembly‘s ‘Saisonscape Decay’ radio programmes that was broadcast last week in anticipation of their show at Cafe Oto. Featuring Lisa ‘Sleeps In Oysters’ Busy, Graham Dunning, Kemper Norton and Sarah Angliss discussing their work in conversation with host Julia Dempsey and mixed and edited by myself and partner in tape Chris Weaver. In fairness, he got the lion’s share of the work as I had a plane to catch!
Taking place in autumn, “Decay” reflects on the natural cycle of the season – leaf litter and organic material dropping to the ground and breaking down into one, renewing the soil with a rich and nourishing composition. This programme focuses on artists who use archives of field recordings, folk story and who layer instrumentation, objects and found sound. Sounds, ideas and material mulch into new combinations, providing fertile ground for unexpected work.
New material is expected imminently from each of the programme’s guests and I’ll try and cover as much of it on these pages as possible, but for now I can confirm that Lisa Busby’s new solo album Fingers In The Gloss is out already and available here on limited CD. There’s also this decidedly eerie promotional video for the single ‘Hollow Blown Egg’ to savour. So many talented friends!