Portland, Delaware, Portland

Hello. Firstly, for those of you who missed this week’s jolly marvellous Resonance FM takeover of In The Dark at The Social in London’s Little Portland Street, you will be gratified to know that you can at least enjoy some of the very fine discs that I took the liberty of spinning. Library funk rubs up alongside musique concréte and west coast psychedelia and even a couple of cuts from our Delaware Road friends. Have a listen here:

Delaware Road Poster

Speaking of the Delaware Road, very excited to announce that after months of preparation, the launch party for this most splendid album finally takes place in Reading this Saturday. Tickets are available here and you can enjoy live performances from Howlround, The Twelve Hour Foundation (whose track ‘Sun and Air‘ features on the above mixtape and remains a thing of wonder – as does their recent ‘Macaroni Cheese‘ 7″), the excellent Revbjelde (wonder what that name’s worth in Scrabble?) amongst others, alongside DJ sets from that affable scoundrel Jonny Trunk and Pete Wiggs of Saint Etienne and The Séance. Your ticket (still available here) also gets you a free download of this magnificent 19-track compilation on Buried Treasure Recordings (although it’s a mere £6 on CD anyway, which seems ridiculously good value) and a free poster. Oh, and my Dad will be there. Can’t argue with any of that, really, can you? Anyway, don’t just take my word for it, here’s your host for the evening Dolly Dolly adding some further intrigue:

Following that, if any of my US friends happen to be in Portland, OR on Monday 16th, I would very much like you to join me at The Lovecraft, alongside the excellent Gray Columns and Offret. Further details here, and let’s hope the machines survive the journey…

Lovecraft

Gray Columns have just uploaded a new track and we’ve been listening to it an awful lot here at Fog Mansions while waiting for our gear to warm up. Have a listen yourself, it’s really quite awesome:

There’s also  talk of Howlround and Gray Columns shows in San Francisco, but I’m still crossing the ‘t’s and dotting the lower-case ‘j’s on that one. Fingers crossed…

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Spectral Spools, Amplified Olympia And XPylons

Olympia

It’s been a busy old week at Fog Towers since my return from Copenhagen, culminating in a morning spent wandering around the famous Kensington Olympia with some contact microphones looking for some hidden sounds to record. Currently in-between exhibitions and deserted save for a small army of cleaning and maintenance staff, I was lucky enough to be given full access to this enormous exhibition centre, including its surprisingly loud PA system. The reason for all this will be unveiled next month when I’m planning to return to the building to present the results of my audio adventures. For the moment I’ll just let it be known that playing the sounds of doors creaking, glass being rubbed and the ascension of a scissor-lift back into the cavernous main hall at high volume while staff continue their work undaunted was about the most fun it’s possible to have before lunchtime. Like being given the keys to an enormous empty toyshop…

In other news, here’s what the next Howlround album sounds like:

Howlround Spectral Analysis

Following a flying visit to Veneration Music‘s studio in deepest, darkest Kent, I’m very excited to be able to reveal this first glimpse of our next LP – quite literally. It has a title, cover artwork and, thanks to the nurturing hands of genius mastering engineer James Edward Barker, is now primped, polished and ready to go. As with our previous album, the services of this most talented musician/producer/polymath was largely paid for in Butterscotch flavour Angel Delight – a very reasonable price for a chap who’s just been working with Bruce Willis. We’re very excited about it all, but for the moment this enigmatic glimpse of the audio files is all you’re getting! Hoping for a November release, but you know how these things have a tendency to get held up…

On the same subject, you might remember me harping on about Howlround’s first ever music video few weeks back. Why not watch it again? It’s very good but I need to get the play-count up:

I mention it here again because the charity compilation album XPYLON from which this track (a collaboration with Ray Carmen’s abandoned playground) was taken is finally out and available in all it’s 16-exclusive-track glory. As well as benefiting a good cause, it’s also a tribute to Jonny Mugwump’s erstwhile Exotic Pylon record label and radio show,  and the stellar line-up below is the perfect testament to his legacy. All original and exclusive material and it’s a ‘name your price‘ release, which means you simply pay what you think it’s worth – but as 100% of all proceeds are being donated to mental health charity ‘MIND‘, a generous donation is always appreciated.

But don’t just take my word as to its quality, a rather flattering review courtesy of Jim Haynes has surfaced in this month’s Wire magazine:

Xpylon Wire Review

Now that the album has been released, I’m suddenly reminded that I actually feature on the album twice, firstly in my capacity representing Howlround and secondly as one third of new super-group The Trunchbulls, alongside Band Of Holy Joy lynchpin Johny Brown (who wrote the tremendously eerie accompanying text) and Exotic Pylon legend Dolly Dolly (who spoke it and did the eerily tremendous job one might expect after listening to his 2013 album Antimacassar). Anyway, put it down to a busy work-load, to concentrating over-hard on finishing off the aforementioned Howlround long-player or just encroaching senility, but somehow the memory of working alongside these two excellent fellows and the resulting ‘polyglot of Derbyshire-esque Radiophonics’ (thanks Jim!) slipped to the bottom of my mental pile. I’d better post it up here before it slips my mind again:

One thing I haven’t forgotten is Jez Butler‘s superb A Lighter Side Of Concrete from a year or so ago. Heavily influenced by the work of  twang-a-ruler-and-make-a-bassline-out-of-it Radiophonic Workshop legend John Baker, it’s an album of decidedly chirpy concrete-pop that I still feel has been rather unfairly slept on. Well, his latest release as part of the Twelve Hour Foundation with partner Polly Hulse is out now on a limited edition three-track 7″ and it’s really quite marvellous. Continuing the legacy of his solo album, it’s a ridiculously catchy affair that sounds like the theme tune to an early 1980s BBC Schools programme about robots or the periodic table – like something Paddy Kingsland might have cooked up for the greatest-ever episode of Zig-Zag, on a spring morning while enjoying a bourbon. Look, I’m running out of analogies, OK? Just give it a listen already!

And speaking of John Baker, I’m ridiculously over-excited at the imminent release of The Vendetta Tapes on Alan Gubby’sBuried Treasure imprint. Alan worked extensively on the Trunk compilation The Baker Tapes several years ago and I believe these tracks represent a further trove of ultra-rare obscurities from one of the Workshop’s true pioneers: incidental music, theme tunes, jingles and special effects culminating in a delicate balance of sleazy jazz, musique concrete and subtle electronics. I was excited then and I’m excited now, especially as I had confidently assumed that after the Trunk release the trail would have gone cold. After all, the BBC does have a deservedly awful reputation when it comes to preserving it’s own archive – though the recent BFI box set of Out Of The Unknown was most welcome, it served as much to highlight the fact that more than half of the episodes of that series have been lost forever, including stories by Ray Bradbury, Isaac Asmiov and Nigel Kneale – a travesty, quite frankly. Thank heavens for enthusiasts like Alan who manage to get past the bureaucracy and red tape and finally give these treasures an airing! Limited edition and selling fast, don’t sleep on this one:

Well, that’s probably enough to be getting on with. Next week I’m off to York to record the sound of vintage Grandfather Clocks. Busy old summer…