Gather round, friends, lots of exciting new stuff to talk about this week. First off the latest Near Mint show on Resonance 104.4FM sees myself and Hannah Brown taking a trip deep into the jungle, where we’re searching for treasure – more specifically, the rarest and most ridiculously over-priced treasure we can find. It’s the first of a two-part special playing the most expensive hardcore and jungle we could… well, I was going to say lay our hands on, but at these prices that would be fraud.
I’ve spoken often on these pages about my great love for oldskool and hardcore jungle music of the 1990s and my quest to fill the odd gaping whole in my otherwise robust collection. But the sky-rocketing second-hand price of some of the rarer 12″s over the last couple of years has really started to hamper my efforts – and I’m not the only one to notice. For example, the record shown above is our opening track, a 1994 single-sided white label by DJ Crystl that’s currently retailing on the Discogs website for £125.22 – and that’s the cheapest record featured on the programme. A legendary producer and a great track – but is it really worth that much? Mind you, it’s probably a little early to start asking that question, I can inform you in the second part next week the silliness levels go right off the chart. Listen closely and savour the experience, you’ll almost certainly never come across these records in the flesh…
In other news, Buried Treasure Recordings commander-in-chief Alan Gubby has been extremely busy of late, producing and uploading a number of videos from last year’s Delaware Road launch party, including this rather spiffy video trailer:
You might remember his appearance as my special guest on Resonance FM’s OST Show last month, where he treated us to some as-yet-unreleased Radiophonic delights. Well, after the success of the launch party and the plethora of extremely complimentary reviews that has followed in the album’s wake, he’s let slip that he has big plans for the future of the project, including a series of further live dates and even a screen-play in development. I will of course keep you informed on all the latest. In the meantime, you can find the Delware Road video playlist in full here. And the label is also poised to release an album by Delaware contributors The Dandelion Set. Only one track from A Thousand Strands 1975-2015 is currently available online, but it’s a collaboration with the legendary Alan Moore and an absolute belter to boot. Have a listen:
Over in Portland, Oregon, my good friends Gray Columns also have an excellent new album to show off. Making good on the anticipation caused by posting a couple of tasty tracks online last year, debut full-length release Cloud of Night is a single track split into four movements and recorded in just two days. Described as ‘masterful, beautiful, and the right kind of unnerving’ by ExperimentalPortland.com, it’s a dense and gorgeous tangle of crepuscular drones, creaks and crackles. Erik and Ben, I salute you. Now when are you going to come over here so we can get that collaboration started?! The kettle is on…
Speaking of talented comrades, very excited to hear new material surfacing from Ordinate. The duo of JP Hartnett and John Flynn (who also records solo under the name Spaces) contributed a track of thick, murky techno to Earwiggle’s excellent Eight Wigglin’ Ways To Die compilation last year and now look set to release their debut 12″ next month. To further whet our appetites they’re produced a session for Mantis Radio On FutureMusic.FM, choc-full of new and unreleased material. Have a listen to the programme, then befriend them on Facebook and Soundcloud, why don’t you? Can’t wait to hear the finished release!
Gosh, what a bumper crop of awesome stuff I’ve unearthed this week. I really am too good to you….
A double-bill of Resonance radio treasures for you today. First off is the latest episode of the adventures in compulsive record-collecting series Near Mint, presented by myself and fellow obsessive hoarder Hannah Brown. This week Hannah take the controls to bring you a Synaesthesia special – to whit, a mix of ‘delightful smelling’ tracks – that is, it’s the music itself that smells nice rather than the vinyl it’s pressed on. Synaesthesia is a neurological condition where, in some cases, music can evoke ‘phantom smells’ for the listener, and Hannah, being something of an expert on the subject, has carefully curated a playlist of the highest olfactory excellence. It’s probably not a coincidence they sound pretty good too. Good work, Hannah Brown. Going to be very poor tracking down my own copies of these gems:
The Pastels – One Wild Moment (Stereolab Mix) (Up Records)
Happy Meals – Altered Images (Night School)
Brooks & O’Hagan – Calibair (Ghost Box)
Jonti – Nightshift in Blue (Stones Throw)
Jane Weaver – It’s Not Over Yet (Bird)
Vermont – Übersprung (Kompakt)
Secondly, I should also thank Alan Gubby of Buried Treasure for joining me on last Saturday’s OST Show in Jonny Trunk’s absence and for bringing in such a fine selection of music, to all the listeners who rang in for the competition with their appallingly bad puns and to Ghost Box for letting us give the Hintermass album it’s ‘world exclusive first play’ (allegedly). The full three hours are available here in two parts, warts and all, exactly as they went out, which is quite a sacrifice for me – I usually don’t let anything out the gate until I’ve buffed it to a high sheen. You’ll hear an unreleased “John Baker” cue (we’re 99& certain!). lots of falling about laughing occasionally leading to coughing fits, a couple of slices of dead air you could drive a bus through, and the unfortunate use of the term ‘eclectic’; but also some truly extraordinary and sublime music. Kettle and earphones on…
On a similar note, Jon Brooks of the above Brooks & O’Hagan and Hintermass, but also of The Advisory Circle too has very kindly donating a signed test pressing of his solo LP Shapwick to the Resonance FM fundraising auction. An LP that was released in a very limited edition back in 2013, sold out within minutes and then a repress sold even faster. At the time of writing you have five days left to enter this auction or face paying £65 on Discogs for a copy. Once again, all proceeds go towards keeping the greatest radio station on Earth transmitting for another year. Worthy cause, great LP. Get with it:
Yep, it that’s time of the year once again where the world’s greatest radio station asks its listeners and supporters to dip hands into pockets and donate towards keeping them on air for another year. But it’s by no means a one-way street as there’s a whole pile of special broadcasts taking place all this week and an online auction with plenty of fantastic objects, artifacts and experiences you can win in exchange for your cash: Record bags, festival tickets, a psychedelic tour of London in a Rolls Royce – the full list can be found on the bespoke Resonance Fundraising website here. I’m currently bidding on brunch for two at the Oxo Tower. There are a couple of Howlround items up for grabs as well:
First off, the final remaining copy of the Torridon Gate LP, number 100/100, hand-numbered and stamped, screen-printed cover by Hannah Brown and printed translucent sleevenotes. A one-off pressing of 100 copies only, the entire stock sold out in a single afternoon back in April 2015, but we’ve been holding this one back especially. Click on the above image to bid!
Secondly, an even-rarer test pressing of latest album Tales From The Black Tangle. Hand-written label, numbered 2/6, in full-colour LP sleeve. This album is also now completely out-of-print and despite lots of harrumphing from the populace in general, there will be no re-presses. Sorry, all, but a promise is a promise! This is your last chance to own a slice of Howlround history! Click on the above image to bid!
Next up, and forgive me for banging on about this again, but I really am super-excited about this coming Friday (19th), when we’ll be rocking the Book and Record Bar in West Norwood, with all proceeds going to the fundraiser. Lucky Cat Zoe, Hannah Brown, Michael the Landlord and myself along with very special guest DJ Food will be manning the decks from 8pm and there’s a raffle with fabulous prizes and a bar (please don’t spill any on the vinyl). Rumours that DJ Food will be giving away a large chunk of the records he plays remain unconfirmed, but persistent. Part two of his guest appearance on mine and Hannah’s new Resonance show ‘Near Mint’ is repeated this Friday at 10am, but you can also now listen to both parts on my Mixcloud page here.
The following afternoon, I shall be heading to the studio to present a marathon fundraising special of The OST Show in regular host Jonny Trunk’s absence. I’ll be joined by Radiophonic expert and Buried Treasure Recordings commander-in-chief Alan Gubby, who in a message probably unintended for publication has assured me he’s cooking up a stew of everything from “gritty 7″ rock n rollers to groovy radiophonic funk with lots of abstract tape experiments and early synth minimalism in-between – a couple of unreleased [insert names of legendary Radiophonic Workshop figures] bits, plus a competition prize package of Buried Treasure releases including the last vinyl copy of The Vendetta Tapes” – that last being, of course, the vinyl LP of unreleased John Baker cues, released last year and leaving Radiophonicists the world over in a state of complete frenzy. If you missed it the first time around, here’s one final chance to get your hands on a copy. Tune in, 15.30 on Saturday…
Speaking of Radiophonics and proof if any were needed of just how important Resonance FM is as an alternative broadcaster, have a listen to Rebecca Gaskell’s documentary on Delia Derbyshire Day that was broadcast last week as part of the station’s regular ‘Clear Spot’ feature. You might recall my BBC report on the event from a few weeks ago, but this goes into far more detail than can be achieved in four minutes and really lifts the lid on just what a remarkable composer she was, featuring lesser known extracts from her archive plus extended interviews with festival curator Caro C, archivist Dr. David Butler and musician Mandy Wigby – plus I’m proud to say I had a small consultancy role and sourced some of the music. It’s always nice to be useful!
And lastly, another superb Clear Spot from a couple of weeks ago was ‘Beauty and the Bleak’, produced by Art Assembly’s Julia Dempsey and mixed and edited by myself in a frantic scrabble to meet the Tx deadline – but it was more than worth it! The second of Art Assembly’s in the series of Saisonscape: Decay programmes, this edition features extended interviews with poet and musician Autumn Richardson and sound artist Lauren Bon discussing their work. Their locations and subject matter differ greatly, but their approaches to the subject of decay, isolation and, yes, bleakness, compliment each other beautifully. A real pleasure to work on, this one, event if it was a bit of a narrow squeak to get it finished!
And lastly, while it doesn’t really have anything to with Resonance, there’s another chance to hear Howlround’s sound installation ‘Mansion House Clocks’ produced for Vespertine York last September, at St. Mary’s in the city’s Castlegate area. From 17th-20th, Vespertine York are kicking off the year by exhibiting some of the bespoke works they’ve commissioned over the past year along with a programme of workshops and other delights. Further details here. That was a jolly fine installation, even if I do say so myself…
Pleased as punch to be part of this stellar line-up celebrating the launch of Buried Treasure’s gorgeous new 19-track concept compilation of modern day Radiophonia. The album (available here) is available now on CD for a mere SIX POUNDS and tickets to the launch party (available here) for include a complimentary download. I’m told both are selling fast, so don’t sleep on this one! Please enjoy this rather super trailer with further atmospheric details:
Another year, another bout of the dreaded winter lurgy, resulting in two weeks of shocking inactivity, where my most productive achievement was alternating between staring at the ceiling and the discovery of several justifiably obscure shades of Glen A. Larson on youtube:
Rather beneath my dignity, I’m sure you’ll agree, but slightly more engaging than the ceiling.
My recovery has been significantly, ahem, ‘energised’, however, by the simultaneous arrival of several new projects from some esteemed friends and former colleagues, and as a token of my gratitude to these brilliant people I’d like to share them with you here and now. It will help to both spread the word and also make me feel less bad about having few of my own 2015 achievements to shout about as of yet. First up is the long-awaited publication of a collection of short works by storyteller, broadcaster and former America’s Got Talent contestant Guy. J. Jackson:
In this collection of rare, hard-to-find, and often too-short short stories, Guy J. Jackson wields his not particularly helpful but still relatively charming (at least compared to being chased) worldview in order to pretty much study and correct all of humanity’s foibles, or at least the ones that need correcting by the end of this year.
More familiar as a performer of stories in the verbal tradition, through innumerable shows on both stage and radio, short movies and a couple of albums (you might remember our collaborative Notes On Cow Life cassette from 2012), Guy’s distinctive mix of creeping intrigue and amiable surrealism loses nothing in it’s translation to the page (though I’ve included a recording of his reading an extract below for added measure:
The stories vary from several pages to the merest few lines and are great to dip into, but better to immerse yourself in – indeed I read the whole thing in one big greedy sitting. Grab your own copy here.
Next up, are you familiar with the work of DCW Briggs? He’s a graphic artist, comic publisher, musician and all round good chap, who has produced a huge body of work over the years, under a number of pen-names [pun intended] such as Hills Have Riffs, which just happened to be the nome de plume he chose when we collaborated on a 2013 mini-album Earl Grey Whistle Test, recorded in Bush House’s Studio S6 in the months leading up to the Ghosts Of Bush sessions:
Dave’s latest exploit is a collaborative exhibition with Andrew Walter at Studio 73 in Brixton Village at the behest of the excellent Indestructible Energy zine, featuring new works, collage, short-press comics and more. This Saturday (17th) sees the closing party, with live music from Mark Dicker, formerly of Trencher playing on a PA system loaned to him by noisy tearaways Part Chimp. Several years ago I found myself on the same bill as Trencher, and seem to remember their set being so loud that those watching in the front row actually appeared to be swimming through a sort of hot and viscous sound-soup. The prospect of one of their number playing on any kind of sound-system that Part Chimp consider fit-for-purpose in a space that small strikes me as a thrillingly brave and foolhardy move.
So, come down on Saturday, pick up some great short-press comics and original artwork by Dave and Andrew, have your ears blasted off and served back to you and perhaps invest in a copy of Indestructible Energy’s latest issue too. And of course you can always visit Dave’s DCWB Website. He doesn’t update it all that often, but it’s always worth the wait.
Moving onto equally exciting news, namely the recent launch of a new collaborative EP from Franziska Lantz and Howard Jacques. Franzi has of course appeared in these pages before, when we collaborated on Whirled Service, a session for BBC Radio 3’s Late Junction that I keep meaning to dig out the archive. Howard you may know from Resonance FM‘s excellent Bermuda Triangle Test Transmissions Department. The duo’s debut 12″, recorded as DPM357x is the first release on Franzi’s Global Warming Records, and while I know it’s a bit early to claim this as one of my records of the year, stranger things have happened! Purchase your own copy direct from the artists after their performance for Club Integral at Stoke Newington venue ‘The Others’ on January 23rd. I shall be there (in my capacity as a fan) and hope you’ll join me. Further information for those of you who are socially-mobile on their Facebook page here, including details of the other acts on the bill – No Cars, Flameproof Moth and Rucksack Cinema. Who says we’re running out of band names? UPDATE: You can also purchase it HERE. Which you jolly well should.
Finally, do you remember my writing last year about the kickstarter campaign to fund the recording of the Synaesthete album Array? Well, I’m happy to say the campaign was a success in more ways than one – this debut long-player from Sarah Tanat Jones’ sophisticated synth-pop project would be brilliant even if you weren’t a complete sucker for multi-tracked vocals, syncopated hand-claps, tick-tocking drum machines and lush, hand-painted artwork (Sarah takes care of that too). Available now from Kit Records and hugely recommended for fans of Tune Yards, Glasser and other left-of-centre electronic pop delights. Jolly good label, that Kit Records…
Right, that’s probably enough to be getting on with and certainly enough to stave off any more forbidden Glen A. Larson-cravings (or ‘Grand Larson-y’, if you’ll pardon the pun). As for my own affairs, I’ve got a couple of rather intriguing tape-music projects lined up for the next couple of months, which could prove most interesting as long as long as my own health and that of my tape machines holds out. They’ve been rather poorly too, of late, but I’m determined that the usual battle between triumph and disaster will resume with renewed vigour next week. And don’t forget to keep an eye out for this, out soon on Buried Treasure: