Click Bait: Howlround’s TV Debut, First US Shows & More…

BBC-Click

Very excited to announce Howlround’s TV debut on the BBC’s flagship technology programme Click is now available here for your viewing pleasure (we feature about 10 minutes in). I’m posting all this slightly belatedly as I was out in the wilds of Yucca Valley without internet during it’s first airing and remained in blissful ignorance of such exciting developments for an unprecedented 36 hours. Anyway, please watch and enjoy affable host Spencer Kelly paying a visit to the New Broadcasting House studio featuring the creaking mic stand that has given Howlround so much raw material to play with over the past year; then heading to our own studio where we introduced him to the machines and allowed him free reign of the mixing desk. I think he rather enjoyed it!

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As if all this wasn’t exciting enough, the track we created during the team’s visit is now available from Soundcloud as a complimentary download, so feel free to make a few Clicks of your own in this direction:

Howlround - Barcelona4 Howlround - Barcelona1 Howlround - Penge20

The feature also included footage from last year’s set for 4’33” Cafe at The Base Elements Gallery in the gothic quarter of Barcelona, so I thought you might appreciate another airing of the original video with a nod and a wink once again to our friends JP and Ale!

In other news, finally back from a whirlwind couple of weeks in the US, playing Howlround’s first American shows, doing a spot of record digging and having our minds expanded with a ‘Sound Bath’ at The Integraton, a truly remarkable domed structure out in the wilds of Yucca Valley – and the only venue I’ve ever visited that was financed by Howard Hughes and built under the guidance of alien intelligence. The day concluded with some late-night desert recording with my old friend Guy J. Jackson in freezing conditions under a full moon in the back of an abandoned tour-bus, though thankfully free of extra-terrestrial intervention. More on that at some point later…

Integraton

Huge thanks must go once again to Erik and Ben of the excellent Gray Columns, to equally splendid support band Offret and to Andee, Allan and Kirk of aQuarius recOrds, San Francisco for making it all possible. And especial thanks to Guy and Holly, plus my ever-patient and brave travelling companions Gemma Ritson and Kaitlyn Spillane! When can we do this again?

StumptownCoffee

Howlround - Gray Columns - Offret
with Offret (left) and Gray Columns (right)

Curiously, I had no trouble at all getting tape machines Elisabeth and Magdalena through airport security. As one official shrugged – ‘It’s cool, this is Portland’! Which may also help to explain my discovery of this little gem while perusing a local emporium. I can feel a new mixtape coming on already…

HowToStrip

And finally, I must quickly plug the latest instalment of Art Assembly‘s ‘Saisonscape Decay’ radio programmes that was broadcast last week in anticipation of their show at Cafe Oto. Featuring Lisa ‘Sleeps In Oysters’ Busy, Graham Dunning, Kemper Norton and Sarah Angliss discussing their work in conversation with host Julia Dempsey and mixed and edited by myself and partner in tape Chris Weaver. In fairness, he got the lion’s share of the work as I had a plane to catch!

Taking place in autumn, “Decay” reflects on the natural cycle of the season – leaf litter and organic material dropping to the ground and breaking down into one, renewing the soil with a rich and nourishing composition. This programme focuses on artists who use archives of field recordings, folk story and who layer instrumentation, objects and found sound. Sounds, ideas and material mulch into new combinations, providing fertile ground for unexpected work. 

New material is expected imminently from each of the programme’s guests and I’ll try and cover as much of it on these pages as possible, but for now I can confirm that Lisa Busby’s new solo album Fingers In The Gloss is out already and available here on limited CD. There’s also this decidedly eerie promotional video for the single ‘Hollow Blown Egg’ to savour. So many talented friends!

Hollow Blown Egg HD720p from Lisa Busby on Vimeo.

Portland, Delaware, Portland

Hello. Firstly, for those of you who missed this week’s jolly marvellous Resonance FM takeover of In The Dark at The Social in London’s Little Portland Street, you will be gratified to know that you can at least enjoy some of the very fine discs that I took the liberty of spinning. Library funk rubs up alongside musique concréte and west coast psychedelia and even a couple of cuts from our Delaware Road friends. Have a listen here:

Delaware Road Poster

Speaking of the Delaware Road, very excited to announce that after months of preparation, the launch party for this most splendid album finally takes place in Reading this Saturday. Tickets are available here and you can enjoy live performances from Howlround, The Twelve Hour Foundation (whose track ‘Sun and Air‘ features on the above mixtape and remains a thing of wonder – as does their recent ‘Macaroni Cheese‘ 7″), the excellent Revbjelde (wonder what that name’s worth in Scrabble?) amongst others, alongside DJ sets from that affable scoundrel Jonny Trunk and Pete Wiggs of Saint Etienne and The Séance. Your ticket (still available here) also gets you a free download of this magnificent 19-track compilation on Buried Treasure Recordings (although it’s a mere £6 on CD anyway, which seems ridiculously good value) and a free poster. Oh, and my Dad will be there. Can’t argue with any of that, really, can you? Anyway, don’t just take my word for it, here’s your host for the evening Dolly Dolly adding some further intrigue:

Following that, if any of my US friends happen to be in Portland, OR on Monday 16th, I would very much like you to join me at The Lovecraft, alongside the excellent Gray Columns and Offret. Further details here, and let’s hope the machines survive the journey…

Lovecraft

Gray Columns have just uploaded a new track and we’ve been listening to it an awful lot here at Fog Mansions while waiting for our gear to warm up. Have a listen yourself, it’s really quite awesome:

There’s also  talk of Howlround and Gray Columns shows in San Francisco, but I’m still crossing the ‘t’s and dotting the lower-case ‘j’s on that one. Fingers crossed…

New Howlround LP Enters The Radiophonic Orbit: A Word From The Masters

The Radiophonic Workshop (yes, THE Radiophonic Workshop) have just posted a link to the new Howlround LP Tales From The Black Tangle on their Facebook page. And there is no way I’m going to allow the incident to pass without at least one small trumpet from the rooftops.

You hear that?! Friends! FRIENDS! Oh, my!

Right, off for a nice lie down. As you were…

New Howlround LP: ‘Tales From The Black Tangle’ Limited Vinyl Available Now

Absolutely delighted to present the brand new Howlround LP Tales From The Black Tangle, available to pre-order NOW from my special boutique imprint The Fog Signals. The vinyl has finally arrived and is looking absolutely fantastic, shrink-wrapped with a full colour sleeve in a tasteful matt-finish, with artwork by myself and a beautiful rear photograph by the talented Victoria ‘Ringmaster’ Hastings. We’re very proud and excited, even more so when I tell you that in less than twenty-four hours a THIRD of the stock has been snapped up! It’s selling fast, so if you want to get your hands on a copy, might I suggest moving swiftly?

Howlround - Tales From The Black Tangle LP - FRONT-LO-RES

Howlround - Tales From The Black Tangle LP - REAR-LO-RES

And now the obligatory press statement: Following a busy summer that has seen the duo touring with “Disintegration Loops” legend William Basinski, profiled on BBC 6 Music’s The Freakier Zone, creating sound installations inside venues as varied as a Portuguese funeral parlour and a reservoir beneath Copenhagen; tape loop wranglers Robin The Fog and Chris Weaver are delighted to announce the launch of their fourth LP as Howlround – Tales From The Black Tangle

Howlround - Tales From The Black Tangle LP - SPINES-LO-RES

The pair create their music following a strict rule – all digital effects and artificial reverb is strictly forbidden. As with previous albums, Tales From The Black Tangle was created entirely by manipulating natural recordings on a trio of vintage reel-to-reel tape machines. Their increasingly spectacular live performances are no exception to their analogue-only rule, and see the pair leaving venues strewn with miles of tangled magnetic tape. Distant trains, industrial sirens, foghorns, ship to shore distress signals, and even a BBC microphone stand in need of some oil, are all are folded into the duo’s darkest and most eerily compelling work yet. A recent vinyl reissue of last year’s Torridon Gate album sold out in a single afternoon, so anticipation for this latest release is high.

You might remember that a small part of the sessions for this album were captured in this rather super Vine video Chris took over the summer, so it’s great to finally be able to present the finished results in a format longer than six seconds:

Howlround - Tales From The Black Tangle LP - SIDE1
Side 1 label. For added intrigue try staring at this label while the record is revolving, but take care not to operate machinery or go swimming for a few hours afterwards

Right, I’d better get off down that post office. Thanks so much for all of your custom so far and for the very positive initial feedback I’ve been receiving. I haven’t even had time to do press yet, so there’s no official reviews to speak of, but you can rest assured that if they’re positive they’ll be trumpeted from the roof of Broadcasting House…

Howlround - Tales From The Black Tangle LP - SIDE2
Side 2 label. You would not BELIEVE how many hours were spent on the tricky issue of hole-alignment…



The Delaware Road: Album OUT NOW, The Launch Party 14th November 2015

Delaware Road Poster

Pleased as punch to be part of this stellar line-up celebrating the launch of Buried Treasure’s gorgeous new 19-track concept compilation of modern day Radiophonia. The album (available here) is available now on CD for a mere SIX POUNDS and tickets to the launch party (available here) for include a complimentary download. I’m told both are selling fast, so don’t sleep on this one! Please enjoy this rather super trailer with further atmospheric details:

On Chambers, Mansions And Rivers

Please enjoy this latest report for BBC Radio 4 and The World Service on the subject of last weekend’s series of performances in the bascule chambers underneath Tower Bridge. Hidden below the waterline deep underneath one of London’s most iconic structures, these cathedral-like spaces serve to contain the gigantic counterweights during the lifting of the bridge’s central span (each weighs about a thousand tonnes or something ridiculous like that), but until last weekend few indeed would have been aware of their existence and fewer still would have been granted the privilege of climbing down into the chamber for a closer inspection. In fact, for the many hundreds of people strolling along the bridge around lunchtime last Saturday, the only clue that something out of the ordinary was about to occur below them would have been the sounds of distant brass pulsing mysteriously from somewhere beneath their feet. Or perhaps a Robin The Fog-shaped blur that nearly ploughed into them while heroically sprinting the final 200 yards to the entrance down to the chamber – thanks entirely to the incompetent, ever-delayed machinations of the accursed Southern Railways. Sorry if that was your umbrella…

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The initial inspiration for the project came from a recording of this vintage machinery at work that was originally made by Ian Rawes of The London Sound Survey. Iain Chambers’ coming across it proved to be the catalyst for an original composition ‘Bascule Chamber’ in which the brass section of the Dockside Sinfonia play along with the sound of the bridge to uncanny and beguiling effect. Before long this unlikeliest of stages was set for a series of concerts featuring two more original compositions by Iain and an interpretation of John Cage’s ‘Aria’ by the soprano Catherine Carter; each performed live and taking full advantage of the chamber’s unique acoustics.

View of the bascule chambers from the gantries. Photo by Steve Stills
View of the bascule chambers from the gantries. Photo by Steve Stills

It doesn’t take much imagination to realise just how far up my street (or hidden somewhere beneath it) all this activity is, particularly as I’m a huge fan of both The London Sound Survey and Langham Research Centre, the radiophonic performance group of which Iain is a key member; so I’m aware of the potential for accusations of bias. Nonetheless, I feel no hesitation at all in labelling these events a triumph and it would certainly appear that the enthusiastic reception from the crowd bears me out. Equally, so does the many disappointed people I’ve spoken to since who didn’t manage to get tickets. All I can say is that I hope my report gives some flavour of what went on down there and that apparently the concerts will be broadcast in full on good old Resonance FM at some point soon. Plus you can find both of these estimable gentlemen discussing the project and much more on the London Sound Survey blog here.

Composer Iain Chambers and sound recordist Ian Rawes on site comparing notes. Poorly-focused photography by me.
Composer Iain Chambers and sound recordist Ian Rawes on site comparing notes. Poorly-focused photography by me.

VespertineYork

Moving on and continuing a busy weekend (though thankfully with less sprinting), I’d also like to present a few images from last Sunday’s sound installation at Mansion House in St. Helen’s Square as part of Vespertine York‘s latest sold-out event: A new sound-work created entirely from magnetic tape and the various ticks and chimes of the numerous antique clocks that until recently had populated this now empty shell.

Vespertine cordially invites the people of York and beyond, to a guided tour of the Mansion House with a twist! This event will be a rare opportunity to see the Mansion House as it is awaiting renovation; the unfurnished, raw building will provide the perfect backdrop for performances and music.

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The source material was collected a month or so beforehand. In the intervening period all of these vintage timepieces were removed, along with the furniture, carpets, paintings and other fixtures, pending the building’s year-long closure for extensive refurbishment. It was a strange experience indeed to bring these recently gathered sounds back to the newly bare walls and exposed floorboards – almost like filling this grand building with the memories of its own departed furniture. The results were very positively received by the groups of visitors touring the house, with one even moved to compare it to the soundtrack to Tarkovsky’s Solaris. That, my friends, is one way to make me very happy!

Vesp - installation 2

Also on the bill were the truly remarkable Sheffield-based anti-choir Juxtavoices and the multi-instrumentalist duo McWatt – both well worth checking out – plus food, drink, games, stories and more. And all for free! No wonder it sold out so quickly! Thanks very much to everyone who came along and showed their support and to Vespertine York for being such amazing hosts and for giving us such an awesome space to play with. It’s the latest in a series of events they’re curating, so their website is definitely worth a perusal and you’re advised to book your tickets early.

Vesp Sunset

And as a last-minute edition to today’s business, I’m happy to announce that I make an appearance in the latest issue of Caught By The River‘s regular publication An Antidote To Indifference, writing about some of my adventures in tape, alongside articles by Melissa Harrison, Chris Watson, Richard King, Emma Warren and many more. This is the second issue to be edited by legendary sonic curator Cheryl Tipp of the British Library’s Sound Archive (amongst many other goodly works) and thus promises to be even more of a cracking read than usual. Pre-order your copy here.

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News of the new Howlround album arriving imminently. But after all this I might want a nice lie down first…

Saisonscape: Decay – Touring With William Basinski And Kepla

Now that the dust has settled, please take a moment to enjoy some sights and sounds from last week’s Saisonscape: Decay tour, where Howlround played a trio of dates across the UK alongside the great sound artist and tape-loop manipulator Mr. William Basinski and recent Quantum Natives signing Kepla. The video and images shown here were from the final night of the tour at The Kazimier in Liverpool, which was perhaps the most visually impressive of the three, with the loops teetering and wobbling upwards from the stage and disappearing over the balcony. It’s a miracle the whole thing held together at all, quite frankly, even with all the scaffolding parts and other heavy metallic items lying about backstage that we borrowed to stop the tape jumping off the spools…

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My enormous gratitude must go to Art Assembly, in particular the amazing Julia Dempsey, as well as Messers Basinski and Kepla for being such affable and entertaining touring companions, not forgetting Victoria Hastings for doing such a fantastic job of documenting the whole thing. More photos to follow, no doubt, but I think it’s this one that makes me the most proud:

Saisonscape Decay Line-up

Must also thank everyone at The Kazimier as well as Cafe Oto in London and Salford’s Islington Mill for their warm welcome. I haven’t had a moment to go through all the recordings yet, but doubtless more audio from these events will surface before long. The response from the crowd each night was hugely encouraging and bodes well for the imminent release of our new album…. but more on that later!

Oto

Forthcoming Decay Plus Throwback Friday: Savamala Revisited

Saisonscape Decay Poster

Excited to announce I’m off to Indonesia for a week hunting for new sounds to incorporate in some future work, and am looking forward to some adventures in the land of gamelan and birdsong! This means I will be largely out of contact for the next week and unable to respond to the usual deluge of listeners’ letters, fan mail and demands for cash, so please bear with me. I shall certainly be back in good time for Howlround‘s tour with William Basinski & Kepla – I wouldn’t miss it for anything and the London date at Cafe Oto sold out weeks in advance!

Hopefully all should tick over quite nicely for a week in my absence. Album number FOUR is currently being manufactured and I hope to have a further update soon. But for now, I thought I’d leave you with this extract from the Howlround archives while I’m away, especially as today, Friday 4th September, marks two years since the official launch of our second LP Secret Songs Of Savamala in Belgrade, Serbia:

Spanish House Launch Party Poster

The album launch party, as you may recall, took place within the ruins of  The Spanish House, the former customs building with the highly evocative flooded basement that had inspired its creation . The above film, created by combining the first side of the LP with the beautiful photography of Milica Nikolic Micikitis, was screened that evening to an crowd packed with collaborators, colleagues and friends, sounds and images reverberating off the roofless walls and into the night. It was a very special feeling to be able to return the sounds back to their source, though for some reason I’ve never shared it online until now.

My grateful thanks go once again to Milica, vocalists Mirjana Utvić and Anita Knežić, Leila Peacock, Axel Humpert and the staff of Camenzind Belgrade, NO-FM and the Goethe Institute. Good friends all and I miss them. Hopefully we’ll all work together again before very long. Belgrade certainly isn’t short on items of sonic fascination!

shBoba1

For further details on that album’s gestation, you can also check out this archive interview with Tiny Mix Tapes from a few months later where I talk about …Savamala and also its predecessor, The Ghosts Of Bush. Thanks once again to Daniel Emmerson for this one!

TinyMixTapes

Right, that’s quite enough nostalgia to be getting on with, better dash to the airport. Hopefully see you at Cafe Oto on 15th!

Spectral Spools, Amplified Olympia And XPylons

Olympia

It’s been a busy old week at Fog Towers since my return from Copenhagen, culminating in a morning spent wandering around the famous Kensington Olympia with some contact microphones looking for some hidden sounds to record. Currently in-between exhibitions and deserted save for a small army of cleaning and maintenance staff, I was lucky enough to be given full access to this enormous exhibition centre, including its surprisingly loud PA system. The reason for all this will be unveiled next month when I’m planning to return to the building to present the results of my audio adventures. For the moment I’ll just let it be known that playing the sounds of doors creaking, glass being rubbed and the ascension of a scissor-lift back into the cavernous main hall at high volume while staff continue their work undaunted was about the most fun it’s possible to have before lunchtime. Like being given the keys to an enormous empty toyshop…

In other news, here’s what the next Howlround album sounds like:

Howlround Spectral Analysis

Following a flying visit to Veneration Music‘s studio in deepest, darkest Kent, I’m very excited to be able to reveal this first glimpse of our next LP – quite literally. It has a title, cover artwork and, thanks to the nurturing hands of genius mastering engineer James Edward Barker, is now primped, polished and ready to go. As with our previous album, the services of this most talented musician/producer/polymath was largely paid for in Butterscotch flavour Angel Delight – a very reasonable price for a chap who’s just been working with Bruce Willis. We’re very excited about it all, but for the moment this enigmatic glimpse of the audio files is all you’re getting! Hoping for a November release, but you know how these things have a tendency to get held up…

On the same subject, you might remember me harping on about Howlround’s first ever music video few weeks back. Why not watch it again? It’s very good but I need to get the play-count up:

I mention it here again because the charity compilation album XPYLON from which this track (a collaboration with Ray Carmen’s abandoned playground) was taken is finally out and available in all it’s 16-exclusive-track glory. As well as benefiting a good cause, it’s also a tribute to Jonny Mugwump’s erstwhile Exotic Pylon record label and radio show,  and the stellar line-up below is the perfect testament to his legacy. All original and exclusive material and it’s a ‘name your price‘ release, which means you simply pay what you think it’s worth – but as 100% of all proceeds are being donated to mental health charity ‘MIND‘, a generous donation is always appreciated.

But don’t just take my word as to its quality, a rather flattering review courtesy of Jim Haynes has surfaced in this month’s Wire magazine:

Xpylon Wire Review

Now that the album has been released, I’m suddenly reminded that I actually feature on the album twice, firstly in my capacity representing Howlround and secondly as one third of new super-group The Trunchbulls, alongside Band Of Holy Joy lynchpin Johny Brown (who wrote the tremendously eerie accompanying text) and Exotic Pylon legend Dolly Dolly (who spoke it and did the eerily tremendous job one might expect after listening to his 2013 album Antimacassar). Anyway, put it down to a busy work-load, to concentrating over-hard on finishing off the aforementioned Howlround long-player or just encroaching senility, but somehow the memory of working alongside these two excellent fellows and the resulting ‘polyglot of Derbyshire-esque Radiophonics’ (thanks Jim!) slipped to the bottom of my mental pile. I’d better post it up here before it slips my mind again:

One thing I haven’t forgotten is Jez Butler‘s superb A Lighter Side Of Concrete from a year or so ago. Heavily influenced by the work of  twang-a-ruler-and-make-a-bassline-out-of-it Radiophonic Workshop legend John Baker, it’s an album of decidedly chirpy concrete-pop that I still feel has been rather unfairly slept on. Well, his latest release as part of the Twelve Hour Foundation with partner Polly Hulse is out now on a limited edition three-track 7″ and it’s really quite marvellous. Continuing the legacy of his solo album, it’s a ridiculously catchy affair that sounds like the theme tune to an early 1980s BBC Schools programme about robots or the periodic table – like something Paddy Kingsland might have cooked up for the greatest-ever episode of Zig-Zag, on a spring morning while enjoying a bourbon. Look, I’m running out of analogies, OK? Just give it a listen already!

And speaking of John Baker, I’m ridiculously over-excited at the imminent release of The Vendetta Tapes on Alan Gubby’sBuried Treasure imprint. Alan worked extensively on the Trunk compilation The Baker Tapes several years ago and I believe these tracks represent a further trove of ultra-rare obscurities from one of the Workshop’s true pioneers: incidental music, theme tunes, jingles and special effects culminating in a delicate balance of sleazy jazz, musique concrete and subtle electronics. I was excited then and I’m excited now, especially as I had confidently assumed that after the Trunk release the trail would have gone cold. After all, the BBC does have a deservedly awful reputation when it comes to preserving it’s own archive – though the recent BFI box set of Out Of The Unknown was most welcome, it served as much to highlight the fact that more than half of the episodes of that series have been lost forever, including stories by Ray Bradbury, Isaac Asmiov and Nigel Kneale – a travesty, quite frankly. Thank heavens for enthusiasts like Alan who manage to get past the bureaucracy and red tape and finally give these treasures an airing! Limited edition and selling fast, don’t sleep on this one:

Well, that’s probably enough to be getting on with. Next week I’m off to York to record the sound of vintage Grandfather Clocks. Busy old summer…

Freakier Foley And The New Sound Of Pylons

First off, thanks very much to Stuart Maconie and producer Rebecca Gaskell for allowing me to play records and talk foley on BBC 6Music’s Freakier Zone this week. If you missed it and fancy hearing 100% exclusive extracts from Howlround‘s very-nearly-finished fourth album (including one track so new it had to be hurriedly assembled prior to broadcast) plus personal sound FX selections including the immortal ‘Grotbag’s Cauldon’, you can listen again here. There’s treats aplenty, even if I do say so myself!

Speaking of  exclusive treats, I’d like to hereby present for your approval Howlround‘s first ever promo video and the unveiling of another brand new track ‘OH’, produced in collaboration with abandoned playground aka US musician and fellow tape enthusiast Ray Carmen:

The track is created entirely from microcassette recordings made by Ray in the 1990s – of his infant daughter, chimes in the park and distant train sirens. As soon as we heard them it quickly became apparent that they were crying out for some deep spool action and Ray has very kindly obliged. Some have called the results our finest work yet, or at least our most accessible. I’m happy to go along with either, quite frankly.

Howlround are also very pleased to reveal that an edited version of the above features on a brand new 16-track charity compilation XPYLON, released on August 5th and featuring Kemper Norton, Cindy Talk, Time Attendant, Dolly Dolly, Ekoplekz alter-ego Gloria Gloucestershire and side-projects by members of Hacker Farm and Band Of Holy Joy – all artists released by or associated with the now sadly-defunct record label and radio show Exotic Pylon. 100% of proceeds from the sale of this compilation will be donated to mental health charity Mind, so it’s a worthy cause as well as a thoroughly stimulating listen. Pre-order your copy here.

XPYLON-Cover

Incidentally, the compilation also features an exclusive track by The British Space Programme, the latest project by ace music producer and Quiet World label-boss Ian Holloway. The debut BSP album Eyes Turned Skyward is out now and is really rather super. Unfortunately Ian recently had a rather nasty altercation with a flight of stairs, resulting in a horrific-sounding knee-injury, swiftly followed by hospitalisation and surgery, so it looks as if future projects might be somewhat delayed. Thankfully he appears to be on the road to recovery, though justifiably a little miffed with being house-bound. Why not help speed that recovery along by browsing the extensive Quiet World catalogue and perhaps making a purchase or two? Just a thought…

BSP

Finally, you might have noticed the ‘OH’ promo video is dedicated to broadcaster, inventor, and polymath Bob Symes, who sadly passed away earlier this year. The reason for this dedication will be immediately apparent to anyone aware of the great man and his work, but I would urge everyone else to take five minutes out of their lives and watch this clip of him in action on BBC TV in the 1970s. Whatever your opinion regarding modified coffee tables, if the sheer, unbridled enthusiasm he shows towards the subject (as for seemingly everything he turned his hand to) doesn’t warm your heart, nothing will. An ‘eye-smiler’ as my flatmate observed when I forced her to sit through it. Or as Bob himself might say, ‘Really remarkable’. Bravo, sir, and RIP.

Bob Symes Tribute